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Towards a new framework for reception Gongora s poetics new readers and the...

Towards a new framework for reception Gongora s poetics new readers and the material world Luis de Góngora’s (1561-1627) two major compositions, Polifemo and Soledades (1613) represent a watershed in the trajectory of Spanish poetics; prompting a polemic over their stylistic innovations that would continue for three cen... ver más

30/04/2017

THE QUEEN'S UNIVER...

195K€

Presupuesto del proyecto: 195K€

Líder del proyecto

THE QUEENS UNIVERSITY OF BELFAST No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Fecha límite participación Sin fecha límite de participación.

Financiación concedida El organismo H2020 notifico la concesión del proyecto el día 2017-04-30

MSCA-IF-2014-EF: Marie Skłodowska-Curie Individual F...

I+D

Cerrada hace 10 años

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Información adicional privada

No hay información privada compartida para este proyecto. Habla con el coordinador.

1 Participantes

THE QUEEN'S UNIVERSITY OF BE...

195.45K€ | Lider

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Duración del proyecto: 25 meses Fecha Inicio: 2015-03-03
Fecha Fin: 2017-04-30

Líder del proyecto

THE QUEENS UNIVERSITY OF BELFAST No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Presupuesto del proyecto 195K€

Fecha límite de participación Sin fecha límite de participación.

Descripción del proyecto Luis de Góngora’s (1561-1627) two major compositions, Polifemo and Soledades (1613) represent a watershed in the trajectory of Spanish poetics; prompting a polemic over their stylistic innovations that would continue for three centuries. To date there has been suppression of the polemic’s politico-ideological underpinnings and undisputed acceptance that Góngora’s poetry was written to be read by an aristocratic, erudite elite. Consequently research on the reception of his work has been conceptually constrained and confined within the rigid parameters of documents relating to the controversy. The primary aim of this project is to challenge these fundamental assumptions of readership and reception and to propose a new methodological framework which has at its core a confluence of: (a) archival investigation; (b) analysis (qualitative and quantitative) of material evidence with digitalised data presentation; (c) a sophisticated theoretical underpinning that conceptualises literary reception within the wider tensions of socio-cultural self-constitution. The key sustaining hypothesis is that Góngora’s ‘new’ readers were not restricted to the intellectually-renovated receivers anticipated by the poet, but encompassed ‘other’ recipients drawn from a much broader socio-cultural spectrum (archival research carried out by the researcher informs this). Outputs include a journal article, a project website with open-access database, a book-length study and the organisation of an international conference. In line with MSCA objectives the project will enable a transfer of knowledge and interdisciplinary skills of mutual benefit to researcher and host; strengthen the contact networks of both, and enhance the career opportunities of the researcher through international exposure and inter-sectoral mobility. The project will promote collaboration between researchers, archivists and librarians, thus contributing to the recuperation of a significant aspect of Spain’s cultural heritage.-

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