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THOUGHT EXHIBITION

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Thought Exhibition The significance of Bruno Latour s art exhibition concept fo...

Thought Exhibition The significance of Bruno Latour s art exhibition concept for his work and as a model for art institutions The research project investigates the concept of thought exhibition (TE), a curatorial approach developed by Bruno Latour and Peter Weibel during four exhibitions at ZKM | Centre for Art and Media, Karlsruhe (Germany). Following L... ver más

31/08/2024

UCPH

207K€

Presupuesto del proyecto: 207K€

Líder del proyecto

KOBENHAVNS UNIVERSITET No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Fecha límite participación Sin fecha límite de participación.

Financiación concedida El organismo H2020 notifico la concesión del proyecto el día 2024-08-31

MSCA-IF-2020: Individual Fellowships

I+D

Cerrada hace 4 años

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Información adicional privada

No hay información privada compartida para este proyecto. Habla con el coordinador.

1 Participantes

UCPH

207.31K€ | Lider

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Duración del proyecto: 41 meses Fecha Inicio: 2021-03-23
Fecha Fin: 2024-08-31

Líder del proyecto

KOBENHAVNS UNIVERSITET No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Presupuesto del proyecto 207K€

Fecha límite de participación Sin fecha límite de participación.

Descripción del proyecto The research project investigates the concept of thought exhibition (TE), a curatorial approach developed by Bruno Latour and Peter Weibel during four exhibitions at ZKM | Centre for Art and Media, Karlsruhe (Germany). Following Latour’s work in philosophy and science & technology studies (STS) the art exhibitions aim at challenging the dualistic mentality (nature/culture, object/subject, etc.) fostered by European modernity which is, according to Latour, at the heart of current crises such as climate change. TEs engage visitors in a spatio-aesthetic thought experiment by bringing them into a position where they can question modern preconceptions, such as the domination of culture over nature or the notion of objective distance towards phenomena, and encourage them to develop alternatives. The project will gain new insights into Latour’s work in philosophy and STS by demonstrating the significance of TEs for this work. It will also provide a conceptual framework for the role of the arts in facilitating engaging narratives on ecologically/socially critical issues. In particular, the project will investigate Latour’s concepts of hybrids, artefacts which cannot be put distinctively in categories of nature or culture, transgressing the dualistic distinctions, and of compositionism, a relational way of juxtaposing objects and actors in the exhibition space. The research will be carried out by reviewing published and, at the ZKM archive, unpublished material, by analysing ZKM visitor surveys and by conducting interviews with Latour, Weibel, co-curators and ZKM staff, all of whom have pledged to fully support the project. Despite the relevance of both Latour’s work and ZKM as a leading art museum, little research on the TE concept has been done so far. The project wants to thoroughly investigate this curatorial approach which builds on the aesthetic and participatory capacity of the arts to address crucial issues and to activate individuals for processes of change.

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