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DT-TRANSFORMATIONS-12-201...
DT-TRANSFORMATIONS-12-2018-2020: Curation of digital assets and advanced digitisation
Specific Challenge:
Sólo fondo perdido 0 €
Europeo
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Specific Challenge:

(2018):

Digitisation still focuses mainly on capturing the visual appearance of objects, collections or sites. It is also often centralised and static, with an expert performing digitisation and archiving and with digitised cultural resources rarely updated and consolidated. With heritage being both tangible and intangible, the challenge is to design solutions for generating a comprehensive picture of the studied assets, capturing and re-creating not only visual and structural information, but also stories and experiences together with their cultural, historical and social context and their evolution over time.

(2020):

In cultural heritage institutions, the quantity of digital content is growing exponentially, together with the potential of new digital technology performance. This large amount of data presents an increasing challenge of management to curators. Work in this area should enable heritage institutions scholars and practioners to fully use the potential of digital technologies for managing, studying, conserving, restoring, making accessible, interlinking, disseminating and preserving their collecti... ver más

Specific Challenge:

(2018):

Digitisation still focuses mainly on capturing the visual appearance of objects, collections or sites. It is also often centralised and static, with an expert performing digitisation and archiving and with digitised cultural resources rarely updated and consolidated. With heritage being both tangible and intangible, the challenge is to design solutions for generating a comprehensive picture of the studied assets, capturing and re-creating not only visual and structural information, but also stories and experiences together with their cultural, historical and social context and their evolution over time.

(2020):

In cultural heritage institutions, the quantity of digital content is growing exponentially, together with the potential of new digital technology performance. This large amount of data presents an increasing challenge of management to curators. Work in this area should enable heritage institutions scholars and practioners to fully use the potential of digital technologies for managing, studying, conserving, restoring, making accessible, interlinking, disseminating and preserving their collections.

On the other hand, the technological advancement presents opportunities, namely with regard to digitisation. So far, digitisation focused mainly on capturing the visual appearance of individual objects, collections or sites. There is a real need to establish a comprehensive picture of the studied assets, capturing and re-creating not only visual and structural information, but also stories and experiences (stored in language data), together with their cultural and socio-historical context, as well as their evolution over time. In addition, the current approach to digitisation is often localised and static: single experts perform the digitisation and the archiving; the digitised cultural tangible (artefacts, historical sites) and intangible resources (stories, experiences, written memory of the society) are rarely consolidated and interlinked, preventing deeper exploitation of the resources through wider searchability via other domains, networks or languages.


Scope:

a. Innovation Action (2018):

Proposals under this action should address the curation and preservation of digital assets. They should provide new technologies and methods that enable, among others, richer experiences, storytelling and the linking of physically separated objects and sites, and tangible and intangible heritage. It should pay attention to the emergence of more dynamic and personalised digital resources which pose new issues in terms of curation and preservation.

The Commission considers that proposals requesting a contribution from the EU of between EUR 4 and 5 million would allow this specific challenge to be addressed appropriately. Nonetheless, this does not preclude submission and selection of proposals requesting other amounts.

b. Research and Innovation Action (2020):

Departing from the current paradigm of localised and static archiving, the scope is to develop one or more of the following new technologies and methods:

In order to develop the concept of active digital resources, sound and comprehensive documentation management tools are needed that continuously consolidate digital assets. This will be achieved through capturing over time, results stemming from a variety of digitisation methods connected to active sensor networks or to semantic web technologies. This will allow for analysis and semantic evaluation of digital assets and resources of cultural heritage.

Consolidation takes also into account the relevance of historical sources (e.g. monuments and documents) and resources (e.g. studies on how language transmits our cultural memory of events) and that a resource evolves over time through cultural impact, research and curation (e.g. studies on how culture shaped a specific collection or how historical events shaped spaces). The continuous consolidation should support the collaboration of multiple actors (IT and SSH) providing both sample data and knowledge to the collaborative framework.

Time and space are core aspects of the history of cultural heritage collections. In addition to the audio-visual appearance, digitisation will include the related cultural, historical, social evolution and events. It will need to develop the accessibility of the semantic content of the resources. Through connecting the tangible and intangible, stories will emerge as a means to enhance our understanding of cultural heritage.

The Commission considers that proposals requesting a contribution from the EU in the order of EUR 3 million would allow this specific challenge to be addressed appropriately. Nonetheless, this does not preclude submission and selection of proposals requesting other amounts


Expected Impact:

(2018):

New technologies and methods will help to present cultural heritage in a comprehensive and attractive way, thereby supporting the promotion and understanding of Europe’s cultural heritage. Proposals will also demonstrate how improved preservation of objects, collections and sites will enhance cultural history and cultural tourism. The economic, social, research and cultural impact for content-owning creative industries and cultural institutions will include gains from use and re-use of digital assets. Proposals will also show how they will enhance re-use of digital assets.

(2020):

The proposals should demonstrate how the new technologies, methods and data formats would help to present cultural and historic remains and memories in a comprehensive and attractive though scientifically based way, supporting the promotion of Europe’s cultural heritage. Proposals should also show how the preservation and analysis of the tangible and intangible resources of our cultural heritage would enhance our understanding of cultural history. They should also deliver solutions to the problem that language change hampers static ways of retrieving the information from historic data collections. The economic impact for the creative industries and the scientific impact for cultural institutions who own content will include gains from use and re-use of digital assets.

The main area of expected impact will be in the better promotion of Europe’s cultural heritage, such as through presenting cultural and historic remains and memories (in a comprehensive and attractive way using new technologies, methods and data formats, including solutions to the problem of language when retrieving information from historic data collections. Curating digital assets will also offer the opportunity to preserve study and disseminate the memory of cultural heritage that underwent dispersal or destroyed. The preservation and analysis of the tangible and intangible resources of our cultural heritage will enhance our understanding of cultural history, and bring economic impact for creative industries and for cultural institutions owning content, such as from the use and re-use of digital assets.


Cross-cutting Priorities:Socio-economic science and humanitiesSocio-economic science and humanities


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Temáticas Obligatorias del proyecto: Temática principal:

Características del consorcio

Ámbito Europeo : La ayuda es de ámbito europeo, puede aplicar a esta linea cualquier empresa que forme parte de la Comunidad Europea.
Tipo y tamaño de organizaciones: El diseño de consorcio necesario para la tramitación de esta ayuda necesita de:

Características del Proyecto

Requisitos de diseño: Duración:
Requisitos técnicos: Specific Challenge: Specific Challenge:
¿Quieres ejemplos? Puedes consultar aquí los últimos proyectos conocidos financiados por esta línea, sus tecnologías, sus presupuestos y sus compañías.
Capítulos financiables: Los capítulos de gastos financiables para esta línea son:
Personnel costs.
Los costes de personal subvencionables cubren las horas de trabajo efectivo de las personas directamente dedicadas a la ejecución de la acción. Los propietarios de pequeñas y medianas empresas que no perciban salario y otras personas físicas que no perciban salario podrán imputar los costes de personal sobre la base de una escala de costes unitarios
Purchase costs.
Los otros costes directos se dividen en los siguientes apartados: Viajes, amortizaciones, equipamiento y otros bienes y servicios. Se financia la amortización de equipos, permitiendo incluir la amortización de equipos adquiridos antes del proyecto si se registra durante su ejecución. En el apartado de otros bienes y servicios se incluyen los diferentes bienes y servicios comprados por los beneficiarios a proveedores externos para poder llevar a cabo sus tareas
Subcontracting costs.
La subcontratación en ayudas europeas no debe tratarse del core de actividades de I+D del proyecto. El contratista debe ser seleccionado por el beneficiario de acuerdo con el principio de mejor relación calidad-precio bajo las condiciones de transparencia e igualdad (en ningún caso consistirá en solicitar menos de 3 ofertas). En el caso de entidades públicas, para la subcontratación se deberán de seguir las leyes que rijan en el país al que pertenezca el contratante
Amortizaciones.
Activos.
Otros Gastos.
Madurez tecnológica: La tramitación de esta ayuda requiere de un nivel tecnológico mínimo en el proyecto de TRL 5:. Los componentes se integran de forma que la configuración del sistema coincida con la aplicación final en casi todos los aspectos. Se prueba el rendimiento en un entorno operativo simulado. La diferencia principal con el TRL 4 es el aumento a una fidelidad media y la aplicación al entorno real. + info.
TRL esperado:

Características de la financiación

Intensidad de la ayuda: Sólo fondo perdido + info
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1. Eligible countries: described in Annex A of the Work Programme.
A number of non-EU/non-Associated Countries that are not automatically eligible for funding have made specific provisions for making funding available for their participants in Horizon 2020 projects. See the information in the Online Manual.
 
2. Eligibility and admissibility conditions: described in Annex B and Annex C of the Work Programme. 
Proposal page limits and layout: please refer to Part B of the proposal template in the submission system below.
 
3. Evaluation:
Evaluation criteria, scoring and thresholds are described in Annex H of the Work Programme.  
Submission and evaluation processes are described in the Online Manual.
4. Indicative time for evaluation and grant agreements:
Information on the outcome of evaluation (single-stage call): maximum 5 months from the deadline for submission.
Signature of grant agreements: maximum 8 months from the deadline for submission.
 
5. Proposal templates, evaluation forms and model grant agreements (MGA):
Research and Innovation Action:
Specific provisions and funding rates
Standard proposal template
Standard evaluation form
General MGA - Multi-Beneficiary
Annotated Grant Agreement
 
6. Additional provisions:
Horizon 2020 budget flexibility
Technology readiness levels (TRL) &nda...
1. Eligible countries: described in Annex A of the Work Programme.
A number of non-EU/non-Associated Countries that are not automatically eligible for funding have made specific provisions for making funding available for their participants in Horizon 2020 projects. See the information in the Online Manual.
 
2. Eligibility and admissibility conditions: described in Annex B and Annex C of the Work Programme. 
Proposal page limits and layout: please refer to Part B of the proposal template in the submission system below.
 
3. Evaluation:
Evaluation criteria, scoring and thresholds are described in Annex H of the Work Programme.  
Submission and evaluation processes are described in the Online Manual.
4. Indicative time for evaluation and grant agreements:
Information on the outcome of evaluation (single-stage call): maximum 5 months from the deadline for submission.
Signature of grant agreements: maximum 8 months from the deadline for submission.
 
5. Proposal templates, evaluation forms and model grant agreements (MGA):
Research and Innovation Action:
Specific provisions and funding rates
Standard proposal template
Standard evaluation form
General MGA - Multi-Beneficiary
Annotated Grant Agreement
 
6. Additional provisions:
Horizon 2020 budget flexibility
Technology readiness levels (TRL) – where a topic description refers to TRL, these definitions apply
Members of consortium are required to conclude a consortium agreement, in principle prior to the signature of the grant agreement.
8. Additional documents:
1. Introduction WP 2018-2020
2. Europe in a changing world - inclusive, innovative and reflective societies WP 2018-2020
General annexes to the Work Programme 2018-2020
Legal basis: Horizon 2020 Regulation of Establishment
Legal basis: Horizon 2020 Rules for Participation
Legal basis: Horizon 2020 Specific Programme
 
7. Open access must be granted to all scientific publications resulting from Horizon 2020 actions.
Where relevant, proposals should also provide information on how the participants will manage the research data generated and/or collected during the project, such as details on what types of data the project will generate, whether and how this data will be exploited or made accessible for verification and re-use, and how it will be curated and preserved.
Open access to research data
The Open Research Data Pilot has been extended to cover all Horizon 2020 topics for which the submission is opened on 26 July 2016 or later. Projects funded under this topic will therefore by default provide open access to the research data they generate, except if they decide to opt-out under the conditions described in Annex L of the Work Programme. Projects can opt-out at any stage, that is both before and after the grant signature.
Note that the evaluation phase proposals will not be evaluated more favourably because they plan to open or share their data, and will not be penalised for opting out.
Open research data sharing applies to the data needed to validate the results presented in scientific publications. Additionally, projects can choose to make other data available open access and need to describe their approach in a Data Management Plan.
Projects need to create a Data Management Plan (DMP), except if they opt-out of making their research data open access. A first version of the DMP must be provided as an early deliverable within six months of the project and should be updated during the project as appropriate. The Commission already provides guidance documents, including a template for DMPs. See the Online Manual.
Eligibility of costs: costs related to data management and data sharing are eligible for reimbursement during the project duration.
The legal requirements for projects participating in this pilot are in the article 29.3 of the Model Grant Agreement.
 
Garantías:
No exige Garantías
No existen condiciones financieras para el beneficiario.

Información adicional de la convocatoria

Efecto incentivador: Esta ayuda tiene efecto incentivador, por lo que el proyecto no puede haberse iniciado antes de la presentación de la solicitud de ayuda. + info.
Respuesta Organismo: Se calcula que aproximadamente, la respuesta del organismo una vez tramitada la ayuda es de:
Meses de respuesta:
Muy Competitiva:
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No conocemos el presupuesto total de la línea
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H2020-SC6-TRANSFORMATIONS-2018-2019-2020 Curation of digital assets and advanced digitisation Specific Challenge: (2018): Digitisation still focuses mainly on capturing the visual appearance of objects, collections or sites. It is...
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DT-TRANSFORMATIONS-12-2018-2020 Curation of digital assets and advanced digitisation
en consorcio: Specific Challenge: (2018): Digitisation still focuses mainly on capturing the visual appearance of objects, collections or sites. It is...
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