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SAVIJU

Financiado

Cerrado

Saharan Visions of Jesus. Poetics of Muslim to Christian religious conversions

xMy project aims to study the connections between Muslim-to-Christian religious conversions, the Saharan pastoral minorities (Tuareg, Berabish, Chaanba, Kunta) in Mali and in Niger and the post-conflict situation in Sahel through... ver más

14/08/2023

KU Leuven

248K€

Presupuesto del proyecto: 248K€

Líder del proyecto

KATHOLIEKE UNIVERSITEIT LEUVEN No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Fecha límite participación Sin fecha límite de participación.

Ver 3 Participantes

Financiación concedida El organismo H2020 notifico la concesión del proyecto el día 2023-08-14

MSCA-IF-2019: Individual Fellowships

I+D

Cerrada hace 5 años

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Información adicional privada

No hay información privada compartida para este proyecto. Habla con el coordinador.

3 Participantes

KU Leuven

248.43K€ | Lider

UNIVERSITY OF FLORIDA

165.27K€ | Participante

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Duración del proyecto: 40 meses Fecha Inicio: 2020-03-18
Fecha Fin: 2023-08-14

Líder del proyecto

KATHOLIEKE UNIVERSITEIT LEUVEN No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Presupuesto del proyecto 248K€

Fecha límite de participación Sin fecha límite de participación.

Descripción del proyecto xMy project aims to study the connections between Muslim-to-Christian religious conversions, the Saharan pastoral minorities (Tuareg, Berabish, Chaanba, Kunta) in Mali and in Niger and the post-conflict situation in Sahel through the unusual prism of oral poetry. The various Christian churches use television, radio, the mobile phone and the internet to spread their messages and thus increase their congregations. As a result, an impressive number of studies focuses on religious transformations and media, on the appropriation of technologies by religious groups or on popular arts and religions in Africa.3 But at present, qualitative research on the intersection of African Christianity and Saharan oral poetry, considered as the most relevant and prestigious nomadic art, is extremely limited. SAVIJU focuses on a cross-cutting object, Saharan Christian poetics, which presents the characteristic of not being traumatic, unlike the questions by which issues concerning Sahel are generally investigated (migration, humanitarian crises, jihadism etc.). SAVIJU aims at offering an alternative view of the recent conflict in Mali (2012-2015) by recounting events from the point of view of the Christian Tuareg persecuted populations, living as forced refugees in the capital cities of Niger and Mali. The challenge of this project is to write the hidden histories of Saharan Christians and to revise the common narrative of the Sahara as uniquely Islamic. The hypothesis that the project has set out to verify is that these conversions constitute a reaction to the jihadism to which the local populations have been subjected, not only because of the occupation of their lands and the forced application of Sharia law but also because of the effects it has had on every-day family-life.

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