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ICONOPHILIA

Financiado

Cerrado

Religion Politics and the Arts in Early Medieval Italy Against the Background o...

Religion Politics and the Arts in Early Medieval Italy Against the Background of the Image Struggle 680 850 This project will specifically focus firstly on the development and dissemination of the theological matters that affected the policies of the Roman Catholic Church between the late seventh-mid ninth century, and secondly on the ‘... ver más

31/08/2017

UoB

195K€

Presupuesto del proyecto: 195K€

Líder del proyecto

THE UNIVERSITY OF BIRMINGHAM No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Fecha límite participación Sin fecha límite de participación.

Financiación concedida El organismo H2020 notifico la concesión del proyecto el día 2017-08-31

MSCA-IF-2014-EF: Marie Skłodowska-Curie Individual F...

I+D

Cerrada hace 10 años

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Información adicional privada

No hay información privada compartida para este proyecto. Habla con el coordinador.

1 Participantes

UoB

195.45K€ | Lider

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Duración del proyecto: 29 meses Fecha Inicio: 2015-03-30
Fecha Fin: 2017-08-31

Líder del proyecto

THE UNIVERSITY OF BIRMINGHAM No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Presupuesto del proyecto 195K€

Fecha límite de participación Sin fecha límite de participación.

Descripción del proyecto This project will specifically focus firstly on the development and dissemination of the theological matters that affected the policies of the Roman Catholic Church between the late seventh-mid ninth century, and secondly on the ‘translation’ of these theological matters into a literary and visual imagery. In the period 680-850 a great debate about the cult of sacred images – the Byzantine ‘image struggle’ or iconoclasm – engaged monks, emperors, popes. Sacred images have for different reasons ispired devotion or spurred iconoclastic reactions and cultural opposition world-wide and often in human history – unfortunately also in the last fifteen years. The place of sacred image in the actual Christian religious mentality – i.e. the way in which cult images stimulate reactions, are perceived, venerated, chosen as personal ‘talismans’ and intercessors with the divine in contemporary culture – was radically shaped by the intense period of the Byzantine ‘image struggle’. The political, cultural, and artistic interactions and the developments of Christian mentality between the West and the East during this phase are actually still a ‘grey area’ in Medieval and Byzantine studies, having been dealt with only occasionally and compartimentally. By using literary as well as visual evidence, 'ICONOPHILIA' will explore this ‘grey area’ and prove to be significant to a range of scholarly disciplines, while being appealing also to a wider global audience interested in religious mentality, Church history, history of monasticism, cultural policies, visual thinking, art production and consumption as socio-political statements. The Centre for Byzantine, Ottoman and Modern Greek Studies in Birmingham will provide the ideal intellectual environment for the development of this interdisciplinary project.

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