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Music Exports and Foreign Cultural Policy in France and Spain

Digital platforms have dramatically accelerated the global circulation of popular music, creating a new geography of production and consumption in which the so-called ‘language barrier’ between ‘national’ cultures is constantly re... ver más

03/09/2025

UNIVERSITY OF MANC...

225K€

Presupuesto del proyecto: 225K€

Líder del proyecto

THE UNIVERSITY OF MANCHESTER No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Fecha límite participación Sin fecha límite de participación.

Financiación concedida El organismo H2020 notifico la concesión del proyecto el día 2021-04-09

MSCA-IF-2020: Individual Fellowships

I+D

Cerrada hace 4 años

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No hay información privada compartida para este proyecto. Habla con el coordinador.

1 Participantes

UNIVERSITY OF MANCHESTER

224.93K€ | Lider

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Duración del proyecto: 52 meses Fecha Inicio: 2021-04-09
Fecha Fin: 2025-09-03

Líder del proyecto

THE UNIVERSITY OF MANCHESTER No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Presupuesto del proyecto 225K€

Fecha límite de participación Sin fecha límite de participación.

Descripción del proyecto Digital platforms have dramatically accelerated the global circulation of popular music, creating a new geography of production and consumption in which the so-called ‘language barrier’ between ‘national’ cultures is constantly repositioned. Whilst English has been the dominant language of the global popular music industry since the 1960s, nowadays any artist can speak to a global audience in their own idiom through the use of streaming services and social media. However, despite the apparent immediate and transnational circulation of music, frontiers still exist between countries, and so export remains a crucial category of action for music professionals. Moreover, states’ foreign cultural policies increasingly play a crucial role in music export as part of soft power strategies, thus adapting and contributing to new definitions of national identities. Indeed, whether such policies are related to safeguarding supposedly ‘authentic’ or ‘indigenous’ musics or strengthening the infrastructures of a domestic musical industry, they are confronted with one crucial problem: the meanings and roles ascribed to ‘local’, ‘domestic’, ‘national’, ‘indigenous’ and ‘minorities’ in music. This environment necessitates thorough review of export models applicable to a variety of localised music industries, with a critical approach to contemporary relations between arts and politics. This project aims to examine the nature and characteristics of French and Spanish music export activity within contexts of digitalisation and globalisation, with a specific focus on cultural diversity and a critical stance on the market-driven vision of music export. A comparative study across two non-anglophone nations with official languages of international significance but substantially different attitudes to public spending and linguistic protectionism will serve as a pilot for greater awareness of the social impact of European and global music export.

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