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MUSICSTREAM

Financiado

Cerrado

Music Culture in the Age of Streaming

Hundreds of millions of people across the world now experience music via ‘streaming services’, which offer on-demand access, by means of internet or mobile telephony, to vast catalogues of music, either ‘free’ (advertising-support... ver más

30/11/2026

UNIVLEEDS

2M€

Presupuesto del proyecto: 2M€

Líder del proyecto

UNIVERSITY OF LEEDS No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Fecha límite participación Sin fecha límite de participación.

Ver 4 Participantes

Financiación concedida El organismo H2020 notifico la concesión del proyecto el día 2021-08-21

ERC-2020-ADG: ERC ADVANCED GRANT

I+D

Cerrada hace 4 años

0% 100% 100%

Información adicional privada

No hay información privada compartida para este proyecto. Habla con el coordinador.

4 Participantes

UNIVLEEDS

2.45M€ | Lider

GOIZPER S COOP LTDA.

588.19K€ | Participante

JINAN UNIVERSITY

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Duración del proyecto: 63 meses Fecha Inicio: 2021-08-21
Fecha Fin: 2026-11-30

Líder del proyecto

UNIVERSITY OF LEEDS No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Presupuesto del proyecto 2M€

Fecha límite de participación Sin fecha límite de participación.

Descripción del proyecto Hundreds of millions of people across the world now experience music via ‘streaming services’, which offer on-demand access, by means of internet or mobile telephony, to vast catalogues of music, either ‘free’ (advertising-supported) or via subscription. A controversial but poorly-understood new system of music production, distribution and consumption has developed around such services, yet there has been no sustained, integrated analysis of this system, the considerable international variations within it, nor its effects on musical culture. MUSICSTREAM provides such analysis, focusing on the UK and China, but also bringing together research from across the world via symposia and collaborative publication. The project therefore offers an ambitious empirical and theoretical analysis that will also contribute to understanding how culture, political economy and technology interact in the digital era. Undertaking such a project requires an interdisciplinary approach that incorporates analysis of the changing media industries, including new conditions for music creators, and changes in the way people ‘use’ music. The PI is especially suited for such a synthesis, having made significant contributions across all these areas. The aim of MUSICSTREAM is to understand how the role of music in the lives of producers and audiences – a subject the PI has researched extensively - is being reconfigured by developments over which these groups have little or no control. The University of Leeds is an ideal place in which to undertake such research, because it has strong specialisms in music, media and culture, and has a research infrastructure that strongly supports such interdisciplinary enquiry. The very nature of music as a cultural practice is changing across the world, and this project examines why and how this is happening, and the implications for the role of music in people’s lives.

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