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LyrA

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Lyric Authority Editing and Rewriting Dante s Lyric Poetry 14th 16th c.

Dante’s worldwide reception and the construction of his figure as an Author (auctor&auctoritas, i.e., creator and cultural authority) have been traditionally explored from the point of view of his masterpiece, the Commedia, and of... see more

23/12/2022

UOXF

213K€

Project Budget: 213K€

Project leader

THE CHANCELLOR MASTERS AND SCHOLARS OF THE UN... No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

PARTICIPATION DEPralty Sin fecha límite de participación.

Financing granted El organismo H2020 notifico la concesión del proyecto The day 2022-12-23

MSCA-IF-2019: Individual Fellowships Objective:The goal of the Individual Fellowships is to enhance the creative and innovative potential...

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1 Participantes

UOXF

212.93K€ | Leader

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Project duration: 33 months Date Start: 2020-03-18
End date: 2022-12-23

Project leader

THE CHANCELLOR MASTERS AND SCHOLARS OF THE UN... No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Project Budget 213K€

participation deadline Sin fecha límite de participación.

Project description Dante’s worldwide reception and the construction of his figure as an Author (auctor&auctoritas, i.e., creator and cultural authority) have been traditionally explored from the point of view of his masterpiece, the Commedia, and of its commentaries, illustrations, and translations. And yet, Dante’s status results from a longue durée process in which his lyric poetry plays a major part in its own right. LyrA will explore the physical act of copying, editing, and printing Dante’s lyric poetry from the 14th to the early 16th century in Italy through the study of multi-text and multi-author volumes, both manuscripts and early printed editions. In the history of Dante’s poems’ circulation and reception, a field in itself of significant scholarly debate, the crucial function of editors and anthologists has been neglected. LyrA addresses this omission, expanding our knowledge of the cultural heritage bequeathed by Dante and in his name. It will explore the ways in which ‘national poets’ are born through editing and rewriting, and how major authors influence cultural development. The prints and manuscripts to be explored have mainly been treated as containers of texts in terms of textual transmission, rather than being examined as textual objects with an independent semantic value. Likewise, we lack entirely an analysis of the cultural interactions between different Italian regions in the canonization of Dante as lyric poet, and thus as an auctoritas, in particular the interaction between Tuscany and the Veneto. LyrA is notable for its interdisciplinary methodology, using material philology alongside textual criticism, literary history and criticism, codicology, and book history. Indeed, the analysis of the material features of books offers a fresh perspective from which to examine the main critical discourses emerging from Dante’s reception as a lyric writer: the advent of the Author as a distinct cultural figure, and the birth of the songbook as a literary genre.

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