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ExpSoundscapes

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Experiencing Historical Soundscapes the Royal Entries of Emperor Charles V in I...

Experiencing Historical Soundscapes the Royal Entries of Emperor Charles V in Iberian Cities This project aims at bridging the gap between describing, reflecting on, and experiencing historical soundscapes. It will integrate historical, sensorial, and artistic approaches so as to retrieve the soundscapes of Early Modern R... ver más

31/08/2022

UNIVERSITE DE TOUR...

185K€

Presupuesto del proyecto: 185K€

Líder del proyecto

UNIVERSITE DE TOURS No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Fecha límite participación Sin fecha límite de participación.

Financiación concedida El organismo H2020 notifico la concesión del proyecto el día 2022-08-31

MSCA-IF-2019: Individual Fellowships Objective:The goal of the Individual Fellowships is to enhance the creative and innovative potential...

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Este proyecto no cuenta con búsquedas de partenariado abiertas en este momento.

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1 Participantes

UNIVERSITE DE TOURS

184.71K€ | Lider

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Duración del proyecto: 29 meses Fecha Inicio: 2020-03-30
Fecha Fin: 2022-08-31

Líder del proyecto

UNIVERSITE DE TOURS No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Presupuesto del proyecto 185K€

Fecha límite de participación Sin fecha límite de participación.

Descripción del proyecto This project aims at bridging the gap between describing, reflecting on, and experiencing historical soundscapes. It will integrate historical, sensorial, and artistic approaches so as to retrieve the soundscapes of Early Modern Royal entries in Iberian cities in the time of Emperor Charles V (1517-58). Sonic information will be extracted from coeval documentation to be analysed and organised in a database and georeferenced in a map through GIS technology. The sound data will serve as the basis to create an immersive multimedia event, where selected sonic scenes will be reproduced by engineered sound and live music. The spatial surroundings will be recreated through historical paintings and 3D renditions of selected urban spaces. The immersive event will be a highly distinctive experience, with the potential to transform the traditional understanding of historical events by introducing elements of sensorial scholarship. It will facilitate exposure of high-quality repertoire within specific historical events. Likewise, the project will explore new avenues of the possibilities that the use of digital technologies provides to the understanding of music historical subjects (as postulated by European policies such as 'Digital Futures') and its management as intangible heritage. This research will make academic impact at different levels. The most significant will be the establishment of a groundbreaking methodology to facilitate the experiencing of sensorial experiences of the past, drawing on a phenomenological perspective. It will provide complementary tools to the traditional understanding of historical soundscapes, fostering interdisciplinary collaboration that will bring together areas such as music, history, geography, performance, and technology. Ultimately, it will open alternative pathways to communicate historical events to modern audiences.

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