Innovating Works
REFLECTIVE-7-2014
REFLECTIVE-7-2014: Advanced 3D modelling for accessing and understanding European cultural assets
Scope:Specific challenge: The documentation of cultural assets is inherently a multimedia process, addressed through digital representation of the shape, appearance and conservation condition of the heritage/cultural object. The digital model is expected to become the representation (forever, for everybody, from everywhere) and research needs to acknowledge the changing role that reconstruction, preservation and conservation now play in the representation of heritage and its analysis. Given the key role the digital model now plays, it is vital that its representation benefits new scholarship, research and developments in interpretation alongside the practical elements of curation, display and dissemination of knowledge. The 3D representations should go beyond current levels of visual depictions, support information integration/linking, shape-related analysis and provide the necessary semantic information for in-depth studies by researchers and users. This will offer new perspectives to researchers and new understandings to citizens, research users and the cultural and creative industries.. Digital surrogates can add a laboratory dimension to on-site explorations, generating new, more innovative questions challenges for our knowledge. It also can originate new avenues in the way tangible cultural heritage is studied, visualised, curated, displayed and monitored, significantly improving our understanding of Europe's unique cultural diversity and our capacity to communicate rich narratives about the past.
Sólo fondo perdido 0 €
Europeo
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Scope:Specific challenge: The documentation of cultural assets is inherently a multimedia process, addressed through digital representation of the shape, appearance and conservation condition of the heritage/cultural object. The digital model is expected to become the representation (forever, for everybody, from everywhere) and research needs to acknowledge the changing role that reconstruction, preservation and conservation now play in the representation of heritage and its analysis. Given the key role the digital model now plays, it is vital that its representation benefits new scholarship, research and developments in interpretation alongside the practical elements of curation, display and dissemination of knowledge. The 3D representations should go beyond current levels of visual depictions, support information integration/linking, shape-related analysis and provide the necessary semantic information for in-depth studies by researchers and users. This will offer new perspectives to researchers and new understandings to citizens, research users and the cultural and creative industries.. Digital surrogates can add a laboratory dimension to on-site explorations, generating new, mo... ver más

Scope:Specific challenge: The documentation of cultural assets is inherently a multimedia process, addressed through digital representation of the shape, appearance and conservation condition of the heritage/cultural object. The digital model is expected to become the representation (forever, for everybody, from everywhere) and research needs to acknowledge the changing role that reconstruction, preservation and conservation now play in the representation of heritage and its analysis. Given the key role the digital model now plays, it is vital that its representation benefits new scholarship, research and developments in interpretation alongside the practical elements of curation, display and dissemination of knowledge. The 3D representations should go beyond current levels of visual depictions, support information integration/linking, shape-related analysis and provide the necessary semantic information for in-depth studies by researchers and users. This will offer new perspectives to researchers and new understandings to citizens, research users and the cultural and creative industries.. Digital surrogates can add a laboratory dimension to on-site explorations, generating new, more innovative questions challenges for our knowledge. It also can originate new avenues in the way tangible cultural heritage is studied, visualised, curated, displayed and monitored, significantly improving our understanding of Europe's unique cultural diversity and our capacity to communicate rich narratives about the past.

This challenge requires collaborations across disciplines, technologies and sectors, such as history, archaeology, cultural studies, anthropology and other areas of humanities and social science research on one side, and creative practice and digital developments in areas such as design and visual arts on the other side. The generation of high quality 3D models is still very time-consuming and expensive, not least because the modelling is carried out for individual objects rather than for entire collections. Furthermore, the outcome of digital reconstructions is frequently provided in formats that are not interoperable, and therefore cannot be easily accessed and/or re-used by scholars, curators or those working in cultural and heritage industries. This presents a risk to the sustainability of the reconstructions. This topic allows for a scaling up of such approaches in seeking to create researcher-led actions that will increase capacity and capability in this area..

Scope: The specific challenge will be addressed by the focused actions:

a)      Research on cost-effective technologies for advanced 3D modelling to enhance the understanding of cultural heritage. This interdisciplinary research should focus on developing new methods and tools for automated 3D modelling and analysis of physical cultural resources and assets (e.g. cultural heritage sites, monuments, sculptures, archaeological sites…) beyond simple digital reconstruction. Driven by the specific needs of the cultural heritage research community and research questions relating to culture and identity that can be enriched through new understandings of tangible heritage objects, projects can explore solutions such as the consolidation of imperfect data, spatio-temporal analysis, modelling/simulation of material degradation, joint reconstruction within and across collections and semantic-aware representation, taking into account the wide range of capture devices and sources of measurement data. Work should facilitate the creation of high-fidelity models of objects with particularly challenging features as regards surface, transparency, dimensions etc. Test-beds for such technological development should validate the practical application and analytic potential of new models for research, interpretation, scholarship and innovation in curation and dissemination. The resulting models should enable greater understanding of European tangible cultural assets by researchers and citizens as well as direct reuse for innovative and creative applications.

b)      Devise standard formats for the semantic-aware 3D modelling of Europe's cultural heritage for researchers and practitioners. Proposals should extend or develop standard formats of 3D semantic-aware objects with a view to improve their archiving, reusability and sustainability. The proposed formats should enable easy exchange, publishing and use of 3D models that have been acquired or generated by a wide range of devices or software. Central goal of these standardisation activities is the applicability, usability and sustainability of the 3D models to the European and international research and cultural heritage communities.

The Commission considers that proposals requesting a contribution from the EU of between EUR 2 and 4 million would allow this specific challenge to be addressed appropriately. Nonetheless, this does not preclude submission and selection of proposals requesting other amounts.

Expected impact: The research under this topic will provide new benefits to researchers through the development of cost efficient tools and effective methods for the modelling and understanding of Europe's cultural heritage. It will also promote interoperable standard formats for semantic-aware 3D modelling, analysis, and representation of cultural heritage in order to allow easy distribution , publishing and reuse of such models, which in turn will ensure sustainable cross-sector collaborative work in both development and research in future..

Type of action:

For a) Research and innovation actions

For b) Coordination and support actions, up to EUR 2 Million


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Temáticas Obligatorias del proyecto: Temática principal:

Características del consorcio

Ámbito Europeo : La ayuda es de ámbito europeo, puede aplicar a esta linea cualquier empresa que forme parte de la Comunidad Europea.
Tipo y tamaño de organizaciones: El diseño de consorcio necesario para la tramitación de esta ayuda necesita de:

Características del Proyecto

Requisitos de diseño: Duración:
Requisitos técnicos: Scope:Specific challenge: The documentation of cultural assets is inherently a multimedia process, addressed through digital representation of the shape, appearance and conservation condition of the heritage/cultural object. The digital model is expected to become the representation (forever, for everybody, from everywhere) and research needs to acknowledge the changing role that reconstruction, preservation and conservation now play in the representation of heritage and its analysis. Given the key role the digital model now plays, it is vital that its representation benefits new scholarship, research and developments in interpretation alongside the practical elements of curation, display and dissemination of knowledge. The 3D representations should go beyond current levels of visual depictions, support information integration/linking, shape-related analysis and provide the necessary semantic information for in-depth studies by researchers and users. This will offer new perspectives to researchers and new understandings to citizens, research users and the cultural and creative industries.. Digital surrogates can add a laboratory dimension to on-site explorations, generating new, more innovative questions challenges for our knowledge. It also can originate new avenues in the way tangible cultural heritage is studied, visualised, curated, displayed and monitored, significantly improving our understanding of Europe's unique cultural diversity and our capacity to communicate... Scope:Specific challenge: The documentation of cultural assets is inherently a multimedia process, addressed through digital representation of the shape, appearance and conservation condition of the heritage/cultural object. The digital model is expected to become the representation (forever, for everybody, from everywhere) and research needs to acknowledge the changing role that reconstruction, preservation and conservation now play in the representation of heritage and its analysis. Given the key role the digital model now plays, it is vital that its representation benefits new scholarship, research and developments in interpretation alongside the practical elements of curation, display and dissemination of knowledge. The 3D representations should go beyond current levels of visual depictions, support information integration/linking, shape-related analysis and provide the necessary semantic information for in-depth studies by researchers and users. This will offer new perspectives to researchers and new understandings to citizens, research users and the cultural and creative industries.. Digital surrogates can add a laboratory dimension to on-site explorations, generating new, more innovative questions challenges for our knowledge. It also can originate new avenues in the way tangible cultural heritage is studied, visualised, curated, displayed and monitored, significantly improving our understanding of Europe's unique cultural diversity and our capacity to communicate rich narratives about the past.
¿Quieres ejemplos? Puedes consultar aquí los últimos proyectos conocidos financiados por esta línea, sus tecnologías, sus presupuestos y sus compañías.
Capítulos financiables: Los capítulos de gastos financiables para esta línea son:
Personnel costs.
Los costes de personal subvencionables cubren las horas de trabajo efectivo de las personas directamente dedicadas a la ejecución de la acción. Los propietarios de pequeñas y medianas empresas que no perciban salario y otras personas físicas que no perciban salario podrán imputar los costes de personal sobre la base de una escala de costes unitarios
Purchase costs.
Los otros costes directos se dividen en los siguientes apartados: Viajes, amortizaciones, equipamiento y otros bienes y servicios. Se financia la amortización de equipos, permitiendo incluir la amortización de equipos adquiridos antes del proyecto si se registra durante su ejecución. En el apartado de otros bienes y servicios se incluyen los diferentes bienes y servicios comprados por los beneficiarios a proveedores externos para poder llevar a cabo sus tareas
Subcontracting costs.
La subcontratación en ayudas europeas no debe tratarse del core de actividades de I+D del proyecto. El contratista debe ser seleccionado por el beneficiario de acuerdo con el principio de mejor relación calidad-precio bajo las condiciones de transparencia e igualdad (en ningún caso consistirá en solicitar menos de 3 ofertas). En el caso de entidades públicas, para la subcontratación se deberán de seguir las leyes que rijan en el país al que pertenezca el contratante
Amortizaciones.
Activos.
Otros Gastos.
Madurez tecnológica: La tramitación de esta ayuda requiere de un nivel tecnológico mínimo en el proyecto de TRL 5:. Los elementos básicos de la innovación son integrados de manera que la configuración final es similar a su aplicación final, es decir que está listo para ser usado en la simulación de un entorno real. Se mejoran los modelos tanto técnicos como económicos del diseño inicial, se ha identificado adicionalmente aspectos de seguridad, limitaciones ambiéntales y/o regulatorios entre otros. + info.
TRL esperado:

Características de la financiación

Intensidad de la ayuda: Sólo fondo perdido + info
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Please read carefully all provisions below before the preparation of your application.
List of countries and applicable rules for funding: described in part A of the General Annexes of the General Work Programme.
 
Eligibility and admissibility conditions: described in part B and C of the General Annexes of the General Work Programme
  
Evaluation
3.1  Evaluation criteria and procedure, scoring and threshold: described in part H of the General Annexes of the General Work Programme
3.2 Guide to the submission and evaluation process
3.3 Specific arrangements for the evaluation of Call H2020-REFLECTIVE-7-2014
At least 1 proposal per topic will be selected for funding provided it passes all evaluation thresholds.
 
Proposal page limits and layout: Please refer to Part B of the standard proposal template.
 
Indicative timetable for evaluation and grant agreement:
Information on the outcome of one-stage evaluation: maximum 5 months from the final date for submission.
Signature of grant agreements: maximum 3 months from the date of informing successful applicants.
 
Provisions, proposal templates and evaluation forms for the type(s) of action(s) under this topic:
Research and Innovation Action:
Specific provisions and funding rates
Standard proposal template (administrative forms and structure of technical annex)
S...
Please read carefully all provisions below before the preparation of your application.
List of countries and applicable rules for funding: described in part A of the General Annexes of the General Work Programme.
 
Eligibility and admissibility conditions: described in part B and C of the General Annexes of the General Work Programme
  
Evaluation
3.1  Evaluation criteria and procedure, scoring and threshold: described in part H of the General Annexes of the General Work Programme
3.2 Guide to the submission and evaluation process
3.3 Specific arrangements for the evaluation of Call H2020-REFLECTIVE-7-2014
At least 1 proposal per topic will be selected for funding provided it passes all evaluation thresholds.
 
Proposal page limits and layout: Please refer to Part B of the standard proposal template.
 
Indicative timetable for evaluation and grant agreement:
Information on the outcome of one-stage evaluation: maximum 5 months from the final date for submission.
Signature of grant agreements: maximum 3 months from the date of informing successful applicants.
 
Provisions, proposal templates and evaluation forms for the type(s) of action(s) under this topic:
Research and Innovation Action:
Specific provisions and funding rates
Standard proposal template (administrative forms and structure of technical annex)
Standard evaluation form
Annotated Model Grant Agreement
Coordination and Support Action:
Specific provisions and funding rates
Standard proposal template (administrative forms and structure of technical annex)
Standard evaluation form
Annotated Model Grant Agreement
 
Additional provisions:
Horizon 2020 budget flexibility
Classified information
 
Open access must be granted to all scientific publications resulting from Horizon 2020 actions, and proposals must refer to measures envisaged. Where relevant, proposals should also provide information on how the participants will manage the research data generated and/or collected during the project, such as details on what types of data the project will generate, whether and how this data will be exploited or made accessible for verification and re-use, and how it will be curated and preserved.
 
Garantías:
No exige Garantías
No existen condiciones financieras para el beneficiario.

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