DYBBUK
Financiado
Yiddish Popular Theatre 1880 1920 Performance as Knowledge
DYBBUK will uncover and explore the popular theatre that made up the daily cultural reality of the Jewish masses at the turn of the 20th century. It will crack open the textual body of remaining musical and dramatic manuscripts, t...
DYBBUK will uncover and explore the popular theatre that made up the daily cultural reality of the Jewish masses at the turn of the 20th century. It will crack open the textual body of remaining musical and dramatic manuscripts, to the complete performances of this popular theatre. Amid a massive migration movement at the turn of the 20th century, the Yiddish popular theatre prospered, producing a staggering volume of entertainment consumed by millions of Jews. Most of this mass-appealing output was delegitimized by Jewish intellectuals as Shund (trash), a term that encompasses primitive, plagiarized, vulgar, and worthless art. Consequently, a valuable component of modern popular culture has been overlooked. DYBBUK will restore this neglected yet highly influential corpus of Yiddish popular theatre and make it available for our appreciation. Revising canonical cultural paradigms, DYBBUK recognizes delegitimized artistic ‘lowbrow’ theatre as a vital component in the fashioning of modernist culture. Focusing on the unexplored theatrical corpus of the two most prolific Shund authors: Moyshe Hurwitz (1844-1910) and Joseph Lateiner (1853-1935), this project offers an integrative typological, embodied, and theoretical analysis of theatrical themes, forms, and practices. The Yiddish popular theatre played a crucial role in transporting cultural styles, ideas, and products. To untangle and understand the complexity and scope of this theatre, this project devises a groundbreaking analytical and embodied toolkit for studying theatre history. We will incorporate into our analysis resources of various media, and we will reenact a forgotten Shund performance in a practice-based research. In doing so, DYBBUK will transform our understanding of popular theatre, revealing it as a preeminent ethnographic and historical source for examining the sensual and experiential dimensions of theatre, and the theatrical and cultural exchange of minorities with mainstream culture.
ver más
Duración del proyecto: 71 meses
Fecha Inicio: 2020-10-22
Fecha Fin: 2026-09-30
Fecha Fin: 2026-09-30
Línea de financiación: concedida
El organismo H2020 notifico la concesión del proyecto el día 2020-10-22
Línea de financiación objetivo
El proyecto se financió a través de la siguiente ayuda:
ERC-2020-STG:
ERC STARTING GRANTS
Cerrada
hace 5 años
Presupuesto
El presupuesto total del proyecto asciende a
1M€
Líder del proyecto
TEL AVIV UNIVERSITY
No se ha especificado una descripción o un objeto social para esta compañía.
Perfil tecnológico
TRL
4-5
Perfil tecnológico
TRL
4-5
222.63K€ |
Participante