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VR3PP

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Visual Representations of the Third Plague Pandemic

The project will investigate how the emergence of photography as a new technology played a pivotal role in the wider acceptance of bacteriological explanations of pestilence in the course of the third plague pandemic (1855-1959) a... ver más

30/09/2018

USTAN

1M€

Presupuesto del proyecto: 1M€

Líder del proyecto

THE UNIVERSITY COURT OF THE UNIVERSITY OF ST... No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Fecha límite participación Sin fecha límite de participación.

Ver 2 Participantes

Financiación concedida El organismo FP7 notifico la concesión del proyecto el día 2018-09-30 No tenemos la información de la convocatoria

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Información adicional privada

No hay información privada compartida para este proyecto. Habla con el coordinador.

2 Participantes

USTAN

0.00€ | Lider

THE CHANCELLOR MASTERS AND S...

N.D. | Participante

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Líder del proyecto

THE UNIVERSITY COURT OF THE UNIVERSITY OF ST... No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Presupuesto del proyecto 1M€

Fecha límite de participación Sin fecha límite de participación.

Descripción del proyecto The project will investigate how the emergence of photography as a new technology played a pivotal role in the wider acceptance of bacteriological explanations of pestilence in the course of the third plague pandemic (1855-1959) and how it transformed public consciousness of infectious disease, hygiene, and the role of international cooperation in the protection of public health, by establishing plague as a paradigmatic agent of death and disorder in the modern age, whilst, at the same time, opening up an era where the meaning of health emergencies is actively and publically negotiated on a cross-cultural global basis. The project will collect and analyse for the first time all visual documents of the third plague pandemic, which broke out in 1855 in Southwest China and raged across the globe until 1959, causing the death of approximately 12 million people. The project’s aim is to engage in a historical and anthropological analysis of this global network of visual representations, underlining how it played a crucial role in the negotiation of geopolitical, colonial and biopolitical relations at the turn of the 20th century, with great bearing on public health consciousness and the social imagination of a new era of globalised hygienic modernity. Research will focus on four regions: China and Japan; India; Africa; South and North America, the first investigated by the Principal Investigator, while the rest being allocated to 3 postdoctoral researchers, all employed full-time in the project. While investigating the visual record of plague in their respective regions, researchers will engage in a collaborative and interdisciplinary analysis of the entangled history of the visual representation of the third pandemic, taking as a common analytical ground 4 different but vitally interlinked aspects of the visual representation of the pandemic: a) the built environment; b) civil disturbance and public order; c) death, corpses and burial; d) race, class and discrimination.

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