Eighteenth-century literary studies has taken a ‘theatrical turn’ over the past twenty-five years and the century historically associated with the ‘rise of the novel’ now acknowledges the centrality of the theatre to Georgian cult...
Eighteenth-century literary studies has taken a ‘theatrical turn’ over the past twenty-five years and the century historically associated with the ‘rise of the novel’ now acknowledges the centrality of the theatre to Georgian cultural and political life. However, we have virtually ignored its remarkable financial archive. Account-books, ledgers, and ephemeral manuscript folios contain rich data on ticket sales, audience members, revenues, actor salaries, repayments to investors, costume, scenery and other costs: this is richly detailed source material that needs to be understood. THEATRONOMICS places money at the heart of eighteenth-century theatrical culture. This project will apply financial and econometric analysis to this data to write a new history of eighteenth-century theatrical culture (1732-1809). Manuscript data for Covent Garden and Drury Lane—the two major theatres of Europe’s biggest city—will be transcribed, digitized, and analysed using econometric methods in order to incorporate the theatres’ underlying commercial operations to our research. Our central goal is the application of economic methodologies so that new perspectives on the careers of managers, playwrights, actors, and plays emerge. When we look at the hard financial data underpinning the performance scheduling decisions; the productivity and profitability of actors; the amounts spent on scenery, costumes, scenery, and candles; and the socioeconomic profiles of the audience, we will have a transformative understanding of the ‘back end’ of the theatre business. By synthesizing this complex data, THEATRONOMICS will further enable us, by interacting with other datasets, to ask new interdisciplinary questions about the place of theatre within the ecology of London. THEATRONOMICS’s insistence on gazing through the financial lens of cultural production gives us an innovative and sustainable basis for the next generation of eighteenth-century theatre studies.ver más
Seleccionando "Aceptar todas las cookies" acepta el uso de cookies para ayudarnos a brindarle una mejor experiencia de usuario y para analizar el uso del sitio web. Al hacer clic en "Ajustar tus preferencias" puede elegir qué cookies permitir. Solo las cookies esenciales son necesarias para el correcto funcionamiento de nuestro sitio web y no se pueden rechazar.
Cookie settings
Nuestro sitio web almacena cuatro tipos de cookies. En cualquier momento puede elegir qué cookies acepta y cuáles rechaza. Puede obtener más información sobre qué son las cookies y qué tipos de cookies almacenamos en nuestra Política de cookies.
Son necesarias por razones técnicas. Sin ellas, este sitio web podría no funcionar correctamente.
Son necesarias para una funcionalidad específica en el sitio web. Sin ellos, algunas características pueden estar deshabilitadas.
Nos permite analizar el uso del sitio web y mejorar la experiencia del visitante.
Nos permite personalizar su experiencia y enviarle contenido y ofertas relevantes, en este sitio web y en otros sitios web.