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The Second Avant Garde Design of Domestic Objects in Soviet Russia 1953 1991

Russian/Soviet avant-garde of the 1920s is broadly recognized to have been an integral part of the European avant-garde and Russia’s first truly original contribution to world culture. In contrast, Soviet art and design of the pos... ver más

31/07/2018

200K€

Presupuesto del proyecto: 200K€

Líder del proyecto

AARHUS UNIVERSITET No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Fecha límite participación Sin fecha límite de participación.

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Financiación concedida El organismo H2020 notifico la concesión del proyecto el día 2018-07-31

MSCA-IF-2015-EF: Marie Skłodowska-Curie Individual F... Scope:Proposals for European Fellowships involve a single host organisation (future beneficiary) est...

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2 Participantes

200.19K€ | Lider

NICOLAS CORREA

379.20K€ | Participante

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Duración del proyecto: 28 meses Fecha Inicio: 2016-03-11
Fecha Fin: 2018-07-31

Líder del proyecto

AARHUS UNIVERSITET No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Presupuesto del proyecto 200K€

Fecha límite de participación Sin fecha límite de participación.

Descripción del proyecto Russian/Soviet avant-garde of the 1920s is broadly recognized to have been an integral part of the European avant-garde and Russia’s first truly original contribution to world culture. In contrast, Soviet art and design of the post-war period is often dismissed by general public as propaganda, hack-work and shameful plagiarism that resulted in a uniform and shabby world of commodities. Thanks to a growing body of scholarship on Soviet design, as well as to a recent work of enthusiastic Russian curators who organized Moscow design museum, a positive narrative of Soviet design have begun to emerge. In particular, the genealogical connection between Russian avant-garde and late Soviet design is generally noticed by scholars. However, the concrete ways of translating the avant-garde’s ideas into late socialist design and commodity production have received relatively small attention. This research project takes avant-garde’s legacy as a key link between post-war Soviet and Western, in particular Scandinavian, design. It addresses the question of temporal and cross-European design connections by focusing on a socialist object. The latter is considered both as a reference to the avant-garde precedent and a concept useful for reaching beyond the standard narrative of Soviet design as a poor imitation of Western models. By relying on archival and published sources I will analyze the transition of objects through different settings – designers’ desks and workshops, artistic and technical councils, factory floors, department stores and people’s homes. My research will present a complex history of Soviet design as a second Russian avant-garde and as a part of post-war European development of visual and material culture. Thus it will provide the historical background for the current Russian designers' search for interconnection with European design schools and trends.

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