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THE ROLE OF TRADITIONAL VOCAL STYLES IN RESHAPING CULTURAL IDENTITIES RELATED TO...

THE ROLE OF TRADITIONAL VOCAL STYLES IN RESHAPING CULTURAL IDENTITIES RELATED TO AFRICAN DIASPORAS IN AMERICA AND EUROPE The voice, especially the singing voice, is a vehicle of a complex variety of messages. Not all these messages are related to the languages itself, many of them relay a more articulated heritage. In particular, vocal styles develo... ver más

30/06/2015

UNILE

265K€

Presupuesto del proyecto: 265K€

Líder del proyecto

UNIVERSITA DEL SALENTO No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Fecha límite participación Sin fecha límite de participación.

Financiación concedida El organismo FP7 notifico la concesión del proyecto el día 2015-06-30 No tenemos la información de la convocatoria

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UNILE

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Líder del proyecto

UNIVERSITA DEL SALENTO No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Presupuesto del proyecto 265K€

Fecha límite de participación Sin fecha límite de participación.

Descripción del proyecto The voice, especially the singing voice, is a vehicle of a complex variety of messages. Not all these messages are related to the languages itself, many of them relay a more articulated heritage. In particular, vocal styles developed within the boundaries of African Diasporas go back to the African origin and African vocal traditions. So that, the singing voice could be considered as the place where the connection still exists and is operating (Zumthor). Nevertheless, the connection – as well as the vocal styles themselves – is evolving by passing through new contexts, new social relationships, new forms of religion, new technologies, etc. The effort of vocal performers and composers is both to overcome voice's limits and to go back to ancient vocal techniques. Research will focus on how much performances of contemporary African-American vocal styles – from different musical genres – influence (and express) the reshaping of a new cultural identity. The project will deal at the same time with musicians of a more recent African Diaspora in Europe, where new cultural identities are evolving. Archives will be investigated in order to trace the history of the development of African related vocal styles in the African-American culture. However, a fundamental source will be interviewing professional musicians. During the return phase, professional musicians with African origins who are operating in Italy nowadays will be interviewed. Besides, the contemporary philosophical approach (such as the pioneer study of Adriana Cavarero on social and political function of the voices) will be used, as well as linguistic analyses, in order to enlighten the role of vocal styles in negotiating cultural identities. In addition to academic outcomes, research will implement a map of the performed vocal styles to be showed in a specific website. Furthermore, a documentary, focusing on African-American and African-European vocal styles, will be released.

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