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Novel and the Heart

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The Novel and the Heart 1840 1940

This project will examine the heart as a rhetorical figure in anglophone fiction of the Victorian (1837-1901) and modernist (1901-39) periods. Though the heart is one of the most important tropes in Western literature, and researc... see more

31/08/2024

UNIVERSITY OF BRIS...

272K€

Project Budget: 272K€

Project leader

UNIVERSITY OF BRISTOL No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

PARTICIPATION DEPralty Sin fecha límite de participación.

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Financing granted El organismo H2020 notifico la concesión del proyecto The day 2024-08-31

MSCA-IF-2020: Individual Fellowships Objective:The goal of the Individual Fellowships is to enhance the creative and innovative potential...

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Cerrada does 5 years

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characteristics of the participant

Este proyecto no cuenta con búsquedas de partenariado abiertas en este momento.

Private Information

No hay información privada compartida para este proyecto. Habla con el coordinador.

3 Participantes

UNIVERSITY OF BRISTOL

271.73K€ | Leader

BOARD OF TRUSTEES OF THE LEL...

STANFORD

N.D. | participant

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Project duration: 40 months Date Start: 2021-04-12
End date: 2024-08-31

Project leader

UNIVERSITY OF BRISTOL No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Project Budget 272K€

participation deadline Sin fecha límite de participación.

Project description This project will examine the heart as a rhetorical figure in anglophone fiction of the Victorian (1837-1901) and modernist (1901-39) periods. Though the heart is one of the most important tropes in Western literature, and research has shown that its cultural meanings changed dramatically from the Medieval period to the early Victorian, there has been no study of the heart and the novel form or the use of the trope beyond the mid-19th century. The primary deliverables will be a monograph, The Novel and the Heart: 1840-1940, and an edited collection, The Body and the Novel: 1800-1940. The research will also lead to the delivery of 5 conference papers, the publication of 3 journal articles, and dissemination to non-academic audiences through European Researchers’ Nights and a public talk for the Bristol Festival of Ideas. The project will pursue a multi-disciplinary approach, drawing on expertise in medical history and the history of the novel, acquired through the University of Bristol’s Centre for Health, Humanities, and Science (CHHS) and Stanford University’s Centre for the Study of the Novel respectively. This expertise will primarily be developed by training-through-research under the supervision of Alex Woloch, an expert on character and Victorian fiction, and Ulrika Maude (Director of the CHHS), an expert on the body in medicine and literature. I will also acquire skills in digital approaches at the Stanford Literary Lab, a leading research centre which pioneered computational criticism. The knowledge, skills, and expertise gained at the outgoing institution will be transferred back to the host through contributions to research, public engagement, teaching, and student mentoring activities. Specific activities include a workshop series for the CHHS on medicine and the novel, a best-practice talk for the Digital Cultures and Methods research unit, and a symposium on The Body and the Novel: 1800-1940 featuring contributors from both universities.

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