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ROMAVANTGARDE

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The Musical Avant-garde in Rome in the 1960s: Actors and Networks in Music Histo...

The Musical Avant-garde in Rome in the 1960s: Actors and Networks in Music History ROMAVANTGARDE aims to reveal a particular phenomenon in the history of music: the effervescence of avant-garde networks in Rome during the 1960s. This phenomenon saw the first steps of influential figures to come: Frederic Rzewski... ver más

30/09/2024

UNIROMA1

189K€

Presupuesto del proyecto: 189K€

Líder del proyecto

UNIVERSITA DEGLI STUDI DI ROMA LA SAPIENZA No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Fecha límite participación Sin fecha límite de participación.

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Financiación concedida El organismo HORIZON EUROPE notifico la concesión del proyecto el día 2024-09-30

HORIZON-MSCA-2021-PF-01-01: MSCA Postdoctoral Fellowships 2021 ExpectedOutcome:

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Cerrada hace 3 años

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No hay información privada compartida para este proyecto. Habla con el coordinador.

2 Participantes

UNIROMA1

188.59K€ | Lider

UNIPD

N.D. | Participante

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Duración del proyecto: 26 meses Fecha Inicio: 2022-07-13
Fecha Fin: 2024-09-30

Líder del proyecto

UNIVERSITA DEGLI STUDI DI ROMA LA SAPIENZA No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Presupuesto del proyecto 189K€

Fecha límite de participación Sin fecha límite de participación.

Descripción del proyecto ROMAVANTGARDE aims to reveal a particular phenomenon in the history of music: the effervescence of avant-garde networks in Rome during the 1960s. This phenomenon saw the first steps of influential figures to come: Frederic Rzewski, Alvin Curran, and Ennio Morricone. But it is also of particular interest as it involved a large number of artists from varied national and cultural horizons, connected diverse institutions (schools, bars, religious establishments), and saw the encounter of various genres (art music, jazz, and popular music) to create original repertoires. As a consequence, this is an ideal case to show how art music creation—despite the enduring paradigm of the individual genius—is a collective phenomenon involving human, but also nonhuman actors (institutions, artifacts, ideas). To do so, ROMAVANTGARDE will draw specifically on Actor-Network Theory (ANT), but also on Social Network Analysis (SNA). Through this case study, ROMAVANTGARDE aims to advance knowledge on the history of twentieth-century music and to reveal Rome as a cosmopolitan city actively participating in the construction of the European musical landscape. At the same time, It aims to further research on creativity and to encourage the recent exchanges between network theories and music studies. This project will be undertaken in Sapienza University of Rome, a reputed university for research in the history of music. Sapienza is also the ideal institution to carry out research in the city’s libraries and archives and to carry out the collection of testimonies before witnesses disappear. Professor Emanuele Senici, an internationally renowned music historian with extensive experience in the history of modern and Roman music, will supervise this project. This experience is thus expected to have a profound impact on my training, scientific maturity, and reputation and to place me in good stead to qualify for a tenure-track position in Europe.

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