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STAGING-ABJECTION

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Staging National Abjection Theatre and Politics in Turkey and Its Diasporas

Nation-building processes comprise not only of creating a collectivity but also of defining its borders through abjection. This research will analyse how theatre has served the processes of national abjection, and how abjected min... ver más

30/11/2026

UMIL

1M€

Presupuesto del proyecto: 1M€

Líder del proyecto

UNIVERSITA DEGLI STUDI DI MILANO No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Fecha límite participación Sin fecha límite de participación.

Ver 4 Participantes

Financiación concedida El organismo H2020 notifico la concesión del proyecto el día 2020-04-20

ERC-2019-STG: ERC Starting Grant Scope:Objectives

I+D

Cerrada hace 6 años

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Este proyecto no cuenta con búsquedas de partenariado abiertas en este momento.

Información adicional privada

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4 Participantes

UMIL

562.70K€ | Lider

S.A. DE VERA

106.43K€ | Participante

BILGI

112.50K€ | Participante

KHAS

754.26K€ | Participante

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Duración del proyecto: 79 meses Fecha Inicio: 2020-04-20
Fecha Fin: 2026-11-30

Líder del proyecto

UNIVERSITA DEGLI STUDI DI MILANO No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Presupuesto del proyecto 1M€

Fecha límite de participación Sin fecha límite de participación.

Descripción del proyecto Nation-building processes comprise not only of creating a collectivity but also of defining its borders through abjection. This research will analyse how theatre has served the processes of national abjection, and how abjected minorities have used theatre to negotiate the politics of belonging in Turkey and its diasporas. Employing a rigorous transdisciplinary theoretical and methodological framework, the project will study the key role theatre has played in the constitution of the Turkish nation and its Others. Staging National Abjection covers the period from the rise of European-style theatre in the Ottoman Empire in the mid-nineteenth century to contemporary productions. Using both mainstream and alternative archives and ethnographic research methods, the project will investigate topics of vital importance that have received limited academic attention: theatre productions involving Armenians after the Genocide; negotiation of sexuality and national identity in queer dramas; Islamic theatre in Turkey and its European diasporas; Sephardic Jewish theatre in Turkey and diasporic productions in Israel and Europe; and Alevi theatre in Turkey and Europe. These case studies will bring different perspectives to the issue of national abjection, and provide insights into the political economy of contemporary Turkish theatre responding to pressures of a conservative neoliberal government. Using the case of Turkey as a vantage point, this project will ask critical questions of broader theoretical significance about the role of theatre in regulating the politics of belonging in the nation-state, and about the relationship between artistic performance and the everyday performance of citizenship. This research will illustrate the political tensions that define Turkey and its growing diasporas, advance our understanding of diasporic and refugee theatre in Europe, and provide ground-breaking insights into cultural politics in post-Imperial contexts and illiberal democracies.

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