Hola,
¿eres nuevo aquí?

Regístrate gratis y conecta tu empresa con financiación pública, partners y proyectos.

Tengo cuenta

Regístrate

Ver video

OPANDA

Financiado

Opera Fandom in the Digital Age

Today, interactions between audiences and theatres occur to a significant extent via online platforms and digital media. OPANDA studies the impact of these transformative technologies on opera fandom. Although recent research has... ver más

31/10/2024

UNIROMA1

189K€

Presupuesto del proyecto: 189K€

Líder del proyecto

UNIVERSITA DEGLI STUDI DI ROMA LA SAPIENZA No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Ver 5 Participantes

Financiación concedida El organismo HORIZON EUROPE notifico la concesión del proyecto el día 2024-10-31

HORIZON-MSCA-2021-PF-01-01: MSCA Postdoctoral Fellowships 2021 ExpectedOutcome:

I+D

Cerrada hace 3 años

0% 100% 100%

5 Participantes

UNIROMA1

188.59K€ | Lider

ROYAL MELBOURNE INSTITUTE OF...

YALE UNIVERSITY

Conecta tu I+D

¿Tienes un proyecto y buscas un partner? Gracias a nuestro motor inteligente podemos recomendarte los mejores socios y ponerte en contacto con ellos. Te lo explicamos en este video

Proyectos interesantes

CSO2012-34698 EL INFOENTRETENIMIENTO POLITICO EN TELEVISION E INTERNET.... 32K€ Cerrado

RTI2018-098916-B-I00 PRACTICAS PARTICIPATIVAS Y DISCURSOS MULTIMODALES EN COMUNID... 36K€ Cerrado

CSO2010-19691 ANALISIS DE LA CONSTRUCCION DE LA IDENTIDAD JUVENIL EN LA FI... 30K€ Cerrado

FFI2015-66942-P MARGINALIA CLASSICA HODIERNA. TRADICION Y RECEPCION CLASICA... 24K€ Cerrado

PCI2022-135065-2 IDENTITIES AND DEMOCRATIC VALUES ON EUROPEAN DIGITAL SCREENS... 166K€ Cerrado

PlatforMuse The Platformization of Music: Towards a Global Theory 2M€ Cerrado

Duración del proyecto: 27 meses Fecha Inicio: 2022-07-19
Fecha Fin: 2024-10-31

Líder del proyecto

UNIVERSITA DEGLI STUDI DI ROMA LA SAPIENZA No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Presupuesto del proyecto 189K€

Descripción del proyecto Today, interactions between audiences and theatres occur to a significant extent via online platforms and digital media. OPANDA studies the impact of these transformative technologies on opera fandom. Although recent research has addressed the digital dissemination of opera, the phenomenon of cyber-fandom remains under-researched. Situated at the intersection of musicology, sociology and media studies, the project asks how opera fans perform their passion digitally. This entails the investigation of their interactions on the web, but the project also considers how cyber-fandom intersects with traditional fan behaviour. In a post-pandemic and hyper-mediatised society in which the divide between stage and screen is constantly blurred, the project reconsiders past audience practices and envisions possible future ones. OPANDA aims at providing a pioneering study of today’s opera fans (i.e. the most active operagoers), including their digital practices and communities. To reach this goal, OPANDA is based on a comparative and qualitative analysis of representative case studies, combining digital ethnography on web communities and fanzines, participant observation at opera companies (La Scala, Paris Opera, the New York Metropolitan Opera), and interviews with fans. Dr Nicolò Palazzetti (Researcher) is well placed to carry out this research thanks to an outstanding background in musicology and sociology, and a solid expertise in performing ethnography among opera fans. By situating his project at Sapienza University of Rome, he advances his career in new directions. He has the key opportunity to work with Prof. Emanuele Senici (Supervisor), a prominent opera scholar specialising in opera and media, and with Prof. Romana Andò (co-supervisor), an expert in fan studies. A training-based secondment at the Digital Ethnography Research Centre in Melbourne and a dissemination-based secondment at the Music Department of Yale University support the achievement of the project.

Conecta tu I+D

Entra hoy

¿Olvidé mi contraseña?

Financiación

Empresas

CTIs/Universidades

Proyectos

Investigadores