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OSPAPIK

Financiado

Cerrado

Ocean and Space Pollution, Artistic Practices and Indigenous Knowledges.

What is the role of contemporary Indigenous artists, and non-Indigenous artists engaging with Indigenous people knowledges, in making ocean and space pollution visible? How are Indigenous knowledges, know-how, histories, and memor... ver más

31/07/2028

UNIVERSITE DE BRES...

2M€

Presupuesto del proyecto: 2M€

Líder del proyecto

UNIVERSITE DE BRETAGNE OCCIDENTALE No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Fecha límite participación Sin fecha límite de participación.

Financiación concedida El organismo HORIZON EUROPE notifico la concesión del proyecto el día 2023-08-01

ERC-2022-COG: ERC CONSOLIDATOR GRANTS Scope:Objectives

I+D

Cerrada hace 2 años

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Información adicional privada

No hay información privada compartida para este proyecto. Habla con el coordinador.

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UNIVERSITE DE BREST

Lider

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Duración del proyecto: 59 meses Fecha Inicio: 2023-08-01
Fecha Fin: 2028-07-31

Líder del proyecto

UNIVERSITE DE BRETAGNE OCCIDENTALE No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Presupuesto del proyecto 2M€

Fecha límite de participación Sin fecha límite de participación.

Descripción del proyecto What is the role of contemporary Indigenous artists, and non-Indigenous artists engaging with Indigenous people knowledges, in making ocean and space pollution visible? How are Indigenous knowledges, know-how, histories, and memories mobilised to address current environmental crises?Strongly grounded in anthropology and the arts, OSPAPIK is both pluri- and interdisciplinary. It offers innovative approaches to pollution, Indigenous knowledges, and the arts through its systematic focus on materiality and on the relationship that people have with waste. It intends to develop novel, critical, and ethnographically-informed analyses of the socio-environmental life of waste by investigating how creative and artistic expressions allow the artists themselves, scientists, expedition project organisers, and audiences to better understand how marine ecosystems and (outer) space are impacted by pollution. It will also interrogate whether the study of arts provides means to better understand the different professional sectors and actors involved in depolluting.The whole project is designed to rigorously analyse conjointly 1/ the motifs and patterns used by Indigenous artists and non-Indigenous artists collaborating with Indigenous people and 2/ the ways these artists use ocean and outer space waste and debris as artistic material.It focuses on the ocean and space, where pollution can be invisible to the eyes, and which are spaces that are often deemed sacred according to Indigenous cosmogonies, but have been perceived, according to dominant Western modern conceptions, as uninhabited.The project aims to study comparatively affective, professional, sensorial, and historical relationships to marine, nuclear, and space debris and waste, through an analysis of Indigenous artistic practices and non-Indigenous practices engaging with Indigenous knowledges.

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