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Multilingual locals significant geographies a new approach to world literature

World literature is literature that circulates globally. It is mostly in English. Its main genre is the novel. These are caricatures of how World literature as a set of discourses is shaping the field of literary studies, but in f... ver más

31/03/2021

SOAS

2M€

Presupuesto del proyecto: 2M€

Líder del proyecto

SCHOOL OF ORIENTAL AND AFRICAN STUDIES ROYAL... No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Fecha límite participación Sin fecha límite de participación.

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Financiación concedida El organismo H2020 notifico la concesión del proyecto el día 2021-03-31

ERC-ADG-2014: ERC Advanced Grant

I+D

Cerrada hace 10 años

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2 Participantes

SOAS

2.48M€ | Lider

INTEGRASYS

103.12K€ | Participante

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Duración del proyecto: 65 meses Fecha Inicio: 2015-10-26
Fecha Fin: 2021-03-31

Líder del proyecto

SCHOOL OF ORIENTAL AND AFRICAN STUDIES ROYAL... No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Presupuesto del proyecto 2M€

Fecha límite de participación Sin fecha límite de participación.

Descripción del proyecto World literature is literature that circulates globally. It is mostly in English. Its main genre is the novel. These are caricatures of how World literature as a set of discourses is shaping the field of literary studies, but in fact Non-Western literatures are positioned with reference to a single global timeline and a single map, and translations supposedly ensure that worthy texts enter the global canon. What does not circulate globally is provincial, not good enough, not world literature. This picture bears little resemblance to the multilingual world of literature, which consists not of a single map but of many significant geographies specific to language, group, and genre. By exploring the often fractured multilingual locals and significant geographies of literature in north India, Morocco, and Ethiopia—each with different experiences of literary multilingualism, colonial diglossia, and continuing oral traditions—we seek to establish a multilingual and located approach to world literature in place of meta-categories like global and world. Mindful of older histories and networks of literary multilingualism and critical of the monolingual straitjacket of modern literary histories that partition Anglophone and Francophone literature from Arabic, Amharic, and Hindi/Urdu, we focus on three periods: imperial consolidation, decolonization, and the current globalizing moment. We will study local transculturations, local debates on world literature, old and new forms of multilingualism, actors and technologies of print and orality, to highlight dynamics of appropriation rather than imitation, co-constitution rather than diffusion, and the multiplicity of choices and trajectories that together form local and transnational literary fields (world literature). The project will propose a theoretical approach, methods for multilingual training and research, and strategic dialogues with scholars and writers in Morocco, Ethiopia, India, UK and France.

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