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ITACA

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Cerrado

Intercultural Theatre And Cultural Appropriation

The ITACA project (Intercultural Theatre And Cultural Appropriation) intends to explore the complex phenomenon of cultural appropriation in contemporary theatre with the aim of setting up a form of theatre aesthetics. The objectiv... ver más

31/03/2023

UMIL

200K€

Presupuesto del proyecto: 200K€

Líder del proyecto

UNIVERSITA DEGLI STUDI DI MILANO No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Fecha límite participación Sin fecha límite de participación.

Ver 2 Participantes

Financiación concedida El organismo H2020 notifico la concesión del proyecto el día 2023-03-31

MSCA-IF-2019: Individual Fellowships

I+D

Cerrada hace 5 años

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Información adicional privada

No hay información privada compartida para este proyecto. Habla con el coordinador.

2 Participantes

UMIL

199.76K€ | Lider

CRISES

114.02K€ | Participante

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Duración del proyecto: 35 meses Fecha Inicio: 2020-04-16
Fecha Fin: 2023-03-31

Líder del proyecto

UNIVERSITA DEGLI STUDI DI MILANO No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Presupuesto del proyecto 200K€

Fecha límite de participación Sin fecha límite de participación.

Descripción del proyecto The ITACA project (Intercultural Theatre And Cultural Appropriation) intends to explore the complex phenomenon of cultural appropriation in contemporary theatre with the aim of setting up a form of theatre aesthetics. The objective is to probe the themes constituting and defining the very origin of theatre, so as to discover their aesthetic and ethical categories, using the lens of cultural appropriation: i.e. the way a historically dominant culture uses and transforms features of a marginalized culture. Cultural appropriation is considered in the context of Quebec theatre and compared to some examples of intercultural theatre in Italy. In the belief that theatre is an ideal philosophical tool by which to explore the relationship between identity and otherness, ITACA proposes to explore that relationship as found in our post-colonial, globalized society and insofar as Europe compares with North America. To achieve its objective ITACA foresees a research and training project between Canada and Italy combining philosophical theory with theatre practice in an interdisciplinary framework. ITACA is open to a multidisciplinary approach, ranging from political science to new media, the study of Quebec culture and digital globalization, and understanding the urgent and relevant theme of cultural appropriation. These theoretical studies are anchored to a programme of Research-creation allowing one to work practically alongside Canadian and Italia stage artists. Multidisciplinary and practical approaches come together in a perspective that observes the theatre first and foremost from an aesthetic angle. The results, presented via international conferences, lectures and publications, will be disseminated in the EU and CANADA, thanks to the support of the respective host institutions UMIL and UQAM, and will be decisive for the experienced researcher’s career development in the academic field.

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