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IndiGen

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Indigeneities in the 21st century From vanishing people to global players in...

Indigeneities in the 21st century From vanishing people to global players in one generation 10 years after the adoption of the United Nations Declaration on the Rights of Indigenous Peoples in 2007, indigenous stakeholders act as global players in arenas such as the UN Convention on Climate Change, the Dakota Access pipe... ver más

30/09/2025

LMU MUENCHEN

1M€

Presupuesto del proyecto: 1M€

Líder del proyecto

LUDWIGMAXIMILIANSUNIVERSITAET MUENCHEN No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Fecha límite participación Sin fecha límite de participación.

Ver 2 Participantes

Financiación concedida El organismo H2020 notifico la concesión del proyecto el día 2019-01-30

ERC-2018-STG: ERC Starting Grant

I+D

Cerrada hace 7 años

0% 100% 100%

Información adicional privada

No hay información privada compartida para este proyecto. Habla con el coordinador.

2 Participantes

LMU MUENCHEN

1.50M€ | Lider

MUELLES Y BALLESTAS HISPANO...

650.90K€ | Participante

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Duración del proyecto: 80 meses Fecha Inicio: 2019-01-30
Fecha Fin: 2025-09-30

Líder del proyecto

LUDWIGMAXIMILIANSUNIVERSITAET MUENCHEN No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Presupuesto del proyecto 1M€

Fecha límite de participación Sin fecha límite de participación.

Descripción del proyecto 10 years after the adoption of the United Nations Declaration on the Rights of Indigenous Peoples in 2007, indigenous stakeholders act as global players in arenas such as the UN Convention on Climate Change, the Dakota Access pipeline in the USA, and the Humboldt-Forum in Berlin. Yet, until the 1960s, anthropological inquiries considered the same people as ‘vanishing’ and doomed to disappear. The so-called Indigenous Renaissance presents a remarkable phenomenon of late (post)modernity. How can this surprising process be understood and explained? The objective of this project is to study how indigenous actors evolved from ‘vanishing people’ to global players. The project is located at the disciplinary intersections between anthropology, art, history, philosophy, and politics; and aims at making a future-oriented contribution to (re)emerging indigeneities and the (re)negotiation of their (post)colonial legacies in and with Europe. While the label ‘indigeneity’ circulates globally, it is also defined as a place-based marker of identity. This project breaks new ground by incorporating both dimensions – global circulation and local experience – in a common framework. It does so by studying entangled indigeneities as transregional and transcultural formations along the transpacific intersections between North and South America, Australia and the South Pacific. By untangling these intersections through museums as research sites and laboratories, the project’s sub-objectives are: 1. to historically identify the moments and processes through which indigenous people became re-ascribed through anthropological discourses and their involvement therein, 2. to ethnographically study the ways and forms in which indigenous people appropriate these external ascriptions for self-insertion into global affairs, 3. to experimentally research, in exhibitionary environments, the layers of indigenous continuity beneath the discursive transformation from ‘vanishing people’ to global players.

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