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GMM

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Globalized Memorial Museums. Exhibiting Atrocities in the Era of Claims for Mora...

Globalized Memorial Museums. Exhibiting Atrocities in the Era of Claims for Moral Universals The ‘universalization of the Holocaust’ has established the Shoah as an historical reference point legitimizing a global moral imperative to respect human rights. Much has been written about the ostensible ‘globalization of memory... ver más

31/08/2024

OEAW

2M€

Presupuesto del proyecto: 2M€

Líder del proyecto

OESTERREICHISCHE AKADEMIE DER WISSENSCHAFTEN No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Fecha límite participación Sin fecha límite de participación.

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Financiación concedida El organismo H2020 notifico la concesión del proyecto el día 2024-08-31

ERC-2018-COG: ERC Consolidator Grant

I+D

Cerrada hace 6 años

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2 Participantes

OEAW

1.95M€ | Lider

BRIDGESTONE HISPANIA

326.50K€ | Participante

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Duración del proyecto: 67 meses Fecha Inicio: 2019-01-24
Fecha Fin: 2024-08-31

Líder del proyecto

OESTERREICHISCHE AKADEMIE DER WISSENSCHAFTEN No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Presupuesto del proyecto 2M€

Fecha límite de participación Sin fecha límite de participación.

Descripción del proyecto The ‘universalization of the Holocaust’ has established the Shoah as an historical reference point legitimizing a global moral imperative to respect human rights. Much has been written about the ostensible ‘globalization of memory’, but as yet no genuinely global comparative study systematically confronting this hypothesis with the actual representations of atrocities exists. GMM breaks new ground by examining memorial museums on four continents, arguing that what is called ‘globalization’ in fact comprises three to some degree contradictory trends: 1) The US Holocaust Memorial Museum and Yad Vashem are role models for a universal moral orientation that focuses on the individual victim and generates aesthetic ‘standards’ for musealization. 2) The German concept of negative memory, self-critically confronting the crimes committed by her own population, has inspired museums to tackle the question of one’s own complicity in order to challenge collective self-victimization and the externalization of responsibility. 3) The genocides of the 1990s led to a ‘forensic turn’: the investigation of bones & other material evidence of atrocities has changed the way in situ memorial museums deal with material traces of violence. This shift has also impacted ‘old’ memorial sites like Sobibor, which has become a site of archaeological research after 70 years. GMM examines 50 memorial museums dealing with - the WWII period in the US, Israel, Europe, China, and Japan; - recent genocides in Rwanda and the former Yugoslavia. Scholars claim that ‘globalized’ memorial museums reflect new moral standards and a new language of commemoration, but what is the price of the attendant de-contextualization in the name of moral universals? GMM’s wholly original global typology of memorial museums has the potential to act as a genuine game changer that challenges the concept of ‘universal memory’ and the notion that memorial museums constitute a globalized space of communication and negotiation.

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