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GLOCO

Financiado

Cerrado

Global Conservation: Histories and Theories

Today, museums in Europe and the USA are under heightened scrutiny in light of increasing requests for artworks to be returned to their country of origin and growing questions about the appropriate display of ethnographic collecti... ver más

31/08/2028

UNIVIE

2M€

Presupuesto del proyecto: 2M€

Líder del proyecto

UNIVERSITAT WIEN No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Fecha límite participación Sin fecha límite de participación.

Financiación concedida El organismo HORIZON EUROPE notifico la concesión del proyecto el día 2023-09-01

ERC-2022-COG: ERC CONSOLIDATOR GRANTS Scope:Objectives

I+D

Cerrada hace 2 años

0% 100%

Información adicional privada

No hay información privada compartida para este proyecto. Habla con el coordinador.

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UNIVIE

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Duración del proyecto: 59 meses Fecha Inicio: 2023-09-01
Fecha Fin: 2028-08-31

Líder del proyecto

UNIVERSITAT WIEN No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Presupuesto del proyecto 2M€

Fecha límite de participación Sin fecha límite de participación.

Descripción del proyecto Today, museums in Europe and the USA are under heightened scrutiny in light of increasing requests for artworks to be returned to their country of origin and growing questions about the appropriate display of ethnographic collections. Conservation practices are changing to include multiple experts to choose the most appropriate methods to preserve material culture. However, while museums display artefacts from many origins and deal daily with complex conservation practices, there is no comprehensive monograph or array of vetted online resources about the legacies of conservation on a global scale.Global Conservation: Histories and Theories (GloCo) will be the first academic research project studying the histories and theories of conservation of material culture at a global level from the sixteenth to the twenty-first century. GloCo approaches conservation as a set of cultural and technological practices that aim to preserve and give access to art and material culture. GloCo develops an innovative framework centered around the study of a selection of objects – Mesoamerican featherwork; Asian ceramic; and West African wooden sculpture – and organized around key transversal concepts: forms and fragments; surface and time; and visibility and vulnerability. The importance and innovative dimension of GloCo lies in its broad historical and geographical scope as well as in its contemporary relevance. GloCo considers histories, theories, and forms of conservation within and beyond the West to restore a plurality of perspectives. We will publish four books (PhDs and PI), three articles (PDs), host two workshops, and create an online polyphonic dictionary (PDs and PI) that presents a range of notions tied to various cultures of conservation. These new definitions will become an essential resource for academics, museum professionals, and beyond. Thus, GloCo will reshape the current understanding of conservation through a deep rethinking of its histories and theories.

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