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Film Studios Infrastructure Culture Innovation in Britain France Germany an...

Film Studios Infrastructure Culture Innovation in Britain France Germany and Italy 1930 60. This project investigates film studios across four major European production sites: Britain, France, Germany and Italy, 1930-60. During these years studios were transformed as they responded to challenges including wartime disrupt... ver más

28/02/2025

UNIVERSITY OF BRIS...

2M€

Presupuesto del proyecto: 2M€

Líder del proyecto

UNIVERSITY OF BRISTOL No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Ver 4 Participantes

Financiación concedida El organismo H2020 notifico la concesión del proyecto el día 2019-06-04

ERC-2018-ADG: ERC Advanced Grant

I+D

Cerrada hace 6 años

0% 100% 100%

4 Participantes

UNIVERSITY OF BRISTOL

1.68M€ | Lider

HENKEL IBERICA

209.46K€ | Participante

QMUL

402.19K€ | Participante

SOUTHAMPTON

417.92K€ | Participante

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Duración del proyecto: 68 meses Fecha Inicio: 2019-06-04
Fecha Fin: 2025-02-28

Líder del proyecto

UNIVERSITY OF BRISTOL No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Presupuesto del proyecto 2M€

Descripción del proyecto This project investigates film studios across four major European production sites: Britain, France, Germany and Italy, 1930-60. During these years studios were transformed as they responded to challenges including wartime disruptions, post-war fragmentation, movement of labour and the introduction of new technologies. While these countries have attracted their own historical literatures, this project proposes for the first time their comparative analysis from the perspective of film studio tectonics, cultures and practices. The project is underpinned by the idea of tectonics as a metaphorical way into understanding the studios’ multiple, stratified, shifting experiences as architectural spaces, diverse working environments and locations for innovation. The study of film studios has been dominated by the centralized Hollywood ‘system’, and local studio histories are typified by discrete, linear and undertheorized approaches. This project proposes a more dynamic materialist methodology, linking empirical data with comparative, transnational developments which occurred during a major period of change within the four key production sites. Using historical research and a range of spatial analysis, 3D and VR tools, the project will explore studio spaces as diverse creative and economic infrastructures which both extended and challenged the range of contemporaneous models. The team will investigate how artistic practices responded to transnational flows in film studio expertise while constituting formative, materially-based ‘spaces of the imagination’. Research will be structured around four major interrelated themes: 1) Architecture and Infrastructure; 2) Creativity, Practices and Innovation; 3) Politics and Economics; 4) Professional and Labour relations. The project will create new understandings of how the collaborative and material environments of studio spaces and technologies shaped film production and cultures.

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