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DURARE

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Cerrado

DYNAMICS OF THE DURABLE. A History of Making Things Last in the Visual and Decor...

DYNAMICS OF THE DURABLE. A History of Making Things Last in the Visual and Decorative Arts. Our cultural heritage comprises many art objects that are hundreds, some thousands of years old. How did they survive this long? While many factors determine if and how art can be preserved, one has fundamentally impacted its long... ver más

28/02/2025

1M€

Presupuesto del proyecto: 1M€

Líder del proyecto

UNIVERSITEIT UTRECHT No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Fecha límite participación Sin fecha límite de participación.

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Financiación concedida El organismo H2020 notifico la concesión del proyecto el día 2019-11-18

ERC-2019-STG: ERC Starting Grant

I+D

Cerrada hace 6 años

0% 100% 100%

Información adicional privada

No hay información privada compartida para este proyecto. Habla con el coordinador.

2 Participantes

1.50M€ | Lider

NUPIK INTERNACIONAL

464.64K€ | Participante

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Duración del proyecto: 63 meses Fecha Inicio: 2019-11-18
Fecha Fin: 2025-02-28

Líder del proyecto

UNIVERSITEIT UTRECHT No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Presupuesto del proyecto 1M€

Fecha límite de participación Sin fecha límite de participación.

Descripción del proyecto Our cultural heritage comprises many art objects that are hundreds, some thousands of years old. How did they survive this long? While many factors determine if and how art can be preserved, one has fundamentally impacted its long-term survival: the desire to make and own artefacts that withstand the test of time. This project—DURARE—will undertake the first comprehensive study of the impact of the artisan and patron’s ambitions to craft, own and theorize durable objects on the long-term development of the visual and decorative arts. To achieve durability, artisans have worked stone and metal, created dyes and pigments thought never to fade, made surface coatings ensuring the protection of more brittle materials, and transformed soft clay into long-lasting ceramics. Patrons coveted physically stable objects; yet stability does not always ensure durability: culturally fragile gold can be melted and re-used. Beyond how the durable was made, DURARE will map the social practices influencing durability. We will also establish how, through artistic and social pursuits for durable art, humans acquired knowledge of the stability and behavior of materials over time, thus impacting knowledge traditions outside art history. Finally, we will elucidate the created practices and institutions facilitating durability, such as cultural heritage conservation and museums. Studying the history of durability in art requires hands-on experience with the materials and processes used to make and explore permanence. This project therefore uses an innovative methodology, combining historical research into art objects and textual sources with hands-on reconstructions of materials and techniques. DURARE will achieve a fundamental understanding of durability in art by charting: 1. Variations and concepts of durability in art and patronage; 2. The role of durability in the development of art and craftsmanship; 3. The impact of artistic expertise in durable materials on the history of knowledge.

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