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Young-Italian 2015

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Dangerous Masculinities Young Men in Italian Cinema of the 1940s 1960s

The present project aims to examine Italian cinema during the twenty-year period from 1943 to 1963 in relation to the construction of the image of the young Italian man. The main goals are to understand how Italian cinema from the... ver más

31/10/2018

UNIVERSITY OF BRIS...

183K€

Presupuesto del proyecto: 183K€

Líder del proyecto

UNIVERSITY OF BRISTOL No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Fecha límite participación Sin fecha límite de participación.

Financiación concedida El organismo H2020 notifico la concesión del proyecto el día 2018-10-31

MSCA-IF-2015-EF: Marie Skłodowska-Curie Individual F...

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Cerrada hace 9 años

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Información adicional privada

No hay información privada compartida para este proyecto. Habla con el coordinador.

1 Participantes

UNIVERSITY OF BRISTOL

183.45K€ | Lider

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Duración del proyecto: 31 meses Fecha Inicio: 2016-03-21
Fecha Fin: 2018-10-31

Líder del proyecto

UNIVERSITY OF BRISTOL No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Presupuesto del proyecto 183K€

Fecha límite de participación Sin fecha límite de participación.

Descripción del proyecto The present project aims to examine Italian cinema during the twenty-year period from 1943 to 1963 in relation to the construction of the image of the young Italian man. The main goals are to understand how Italian cinema from the post-war period to the ‘economic boom’ gave substance to male national identities and to situate those identities within an emerging youth culture produced by the new consumer society in Italy. The proposal arises from two key observations: firstly, that the cinematic institution of the time and its gender representations depicted the crisis of traditional male authority at a time of great social change. In this respect, the figure of the young Italian man functions as a multi-faceted trope that challenges the patriarchal values embodied by older men. Secondly, that there has been a lack of studies of Italian cinematic masculinity, especially in the postwar period. From this perspective, the project intends to complement existing work in the fields of history and sociology on the emergence of Italian youth culture; it will uncover the repertoire of young masculine identities that cinema offered to audiences in these years, which were crucial to the negotiation of changing gender roles in the Italian cultural imaginary after the WWII until the present. The project is organised according to an integrated and interdisciplinary approach to the cinematic apparatus. The purpose is to look at the cinematic institution by analysing its textual and economic dimension (its ‘material’ component), and thus investigating the patterns of masculine representation offered by films and the related cultural industry; and by evaluating its cultural and social articulation (its ‘symbolic’ component), and thus focusing on the cinema audiences and their experiences with the film texts in relation to gender identity. The principal output will be a monograph on the figure of the young Italian man in the cinema of the long post-war period, the first of its kind.

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