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Continuity and Rupture in Central European Art and Architecture 1918 1939

When new political elites and social structures emerge out of a historical rupture, how are art and architecture affected? In 1918 the political map of central Europe was redrawn as a result of the collapse of Austria-Hungary, mar... ver más

29/02/2024

2M€

Presupuesto del proyecto: 2M€

Líder del proyecto

Masarykova univerzita No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Ver 3 Participantes

Financiación concedida El organismo H2020 notifico la concesión del proyecto el día 2024-02-29

Línea de financiación objetivo El proyecto se financió a través de la siguiente ayuda:

ERC-2017-ADG: ERC Advanced Grant

I+D

Cerrada hace 7 años

0% 100%

3 Participantes

2.25M€ | Lider

POWER OFFICE

UoB

215.35K€ | Participante

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Últimas noticias

27-11-2024: DGIPYME En las últimas 48 horas el Organismo DGIPYME ha otorgado 1 concesiones

27-11-2024: FUNDACION-EOI En las últimas 48 horas el Organismo FUNDACION EOI ha otorgado 2 concesiones

25-11-2024: ECE En las últimas 48 horas el Organismo ECE ha otorgado 52 concesiones

Duración del proyecto: 68 meses Fecha Inicio: 2018-06-15
Fecha Fin: 2024-02-29

Líder del proyecto

Masarykova univerzita

TRL 4-5

Presupuesto del proyecto 2M€

Descripción del proyecto When new political elites and social structures emerge out of a historical rupture, how are art and architecture affected? In 1918 the political map of central Europe was redrawn as a result of the collapse of Austria-Hungary, marking a new era for the region. Through comparative analysis of the visual arts in 3 states built on the ruins of the Habsburg Empire (Austria, Hungary and [former] Czechoslovakia), this project examines how such political discontinuity affected art and architecture between 1918 and 1939. The project is organised into 4 themes, each resulting in a monograph: 1. Vernacular modernisms, nostalgia and the avant-garde 2. Presenting the state: world fairs and exhibitionary cultures 3. Piety, reaction and renewal 4. Contested histories: monuments, memory and representations of the historical past It is the first systematic and comprehensive trans-national study of this type, based on the claim that the successor states to Austria-Hungary belonged to a common cultural space informed by the shared memory of the long years of Habsburg society and culture. The project focuses on the contradictory ways that visual arts of artists and architects in central Europe adapted to and tried to shape new socio-political circumstances in the light of the past. The project thus examines the long shadow of the Habsburg Empire over the art and culture of the twentieth century. The project also considers the impact of the political and ideological imperatives of the three successor states on the visual arts; how did governments treat the past? Did they encourage a sense of historical caesura or look to the past for legitimation? How did artists and architects respond to such new impulses? In answering these questions the project analyses the conflicts between avant-gardes and more conservative artistic movements; the role of the visual arts in interwar memory politics; the place of art in the nexus of religion, national and state identity.

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