Hola,
¿eres nuevo aquí?

Regístrate gratis y conecta tu empresa con financiación pública, partners y proyectos.

Tengo cuenta

Regístrate

Ver video

COMPHIL

Financiado

Cerrado

Composing Philosophy Amateurism and Aesthetics in Twentieth and Twenty First C...

Composing Philosophy Amateurism and Aesthetics in Twentieth and Twenty First Century Music Monograph Project: Composing Philosophy: Amateurism and Aesthetics in Twentieth- and Twenty-First-Century Music Since around 1900, composers of classical music have mined philosophical texts for compositional material: in other w... ver más

31/08/2022

UOXF

112K€

Presupuesto del proyecto: 112K€

Líder del proyecto

THE CHANCELLOR MASTERS AND SCHOLARS OF THE UN... No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Fecha límite participación Sin fecha límite de participación.

Financiación concedida El organismo H2020 notifico la concesión del proyecto el día 2022-08-31

MSCA-IF-2020: Individual Fellowships

I+D

Cerrada hace 4 años

0% 100%

Información adicional privada

No hay información privada compartida para este proyecto. Habla con el coordinador.

1 Participantes

UOXF

112.47K€ | Lider

Conecta tu I+D

¿Tienes un proyecto y buscas un partner? Gracias a nuestro motor inteligente podemos recomendarte los mejores socios y ponerte en contacto con ellos. Te lo explicamos en este video

Proyectos interesantes

BENEDICAMUS Musical and Poetic Creativity for A Unique Moment in the Wes... 2M€ Cerrado

PID2019-108841GB-I00 USOS DE LA TEORIA EN LA LITERATURA Y EL CINE ESPAÑOLES DEL S... 33K€ Cerrado

TureckBachXXI On Rosalyn Tureck’s Legacy for Bach Performance in the 21st... 289K€ Cerrado

PID2021-123990NB-I00 PRACTICAS POLIFONICAS HISPANICAS (SIGLOS XVI-XIX) EN PERSPEC... 150K€ Cerrado

DiCrEd Towards a Digital Critical Edition of The Works of Giuseppe... 183K€ Cerrado

FFI2016-80168-P TEORIA DE LA LECTURA Y HERMENEUTICA LITERARIA EN LA ILUSTRAC... 40K€ Cerrado

Duración del proyecto: 16 meses Fecha Inicio: 2021-04-07
Fecha Fin: 2022-08-31

Líder del proyecto

THE CHANCELLOR MASTERS AND SCHOLARS OF THE UN... No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Presupuesto del proyecto 112K€

Fecha límite de participación Sin fecha límite de participación.

Descripción del proyecto Monograph Project: Composing Philosophy: Amateurism and Aesthetics in Twentieth- and Twenty-First-Century Music Since around 1900, composers of classical music have mined philosophical texts for compositional material: in other words, they have composed philosophy. Starting with musical adaptations of Friedrich Nietzsche’s works, compositions that set texts taken from philosophical works, use operatic librettos on philosophers’ lives, or include a philosophical program have become increasingly common. Yet scholarship has produced a limited view of the practice, primarily due to the tendency in historical musicology to heavily privilege the works of canonical composers. And problematically, in cases where major composers have themselves composed philosophy, such as in Gustav Mahler’s Symphony no. 3, from 1896 (in which he sets a text from Nietzsche’s _Also Sprach Zarathustra_) or in Steve Reich’s _Proverb_, from 1995 (in which he sets a phrase from Ludwig Wittgenstein), scholars have frequently also assumed that musical mastery, or even genius, translates to an expert understanding and therefore use of philosophical material. My project offers a new view of composing philosophy as something done from the standpoint of philosophical amateurism—my term for engaging deeply with philosophy while being inexpert in it—irrespective of whether composers are students, canonical figures, or something in between. By looking at the larger practice of composing philosophy through the lens of philosophical amateurism, we can gain insight into how this seemingly esoteric practice intersects with more popularizing concepts of philosophy, the ways in which music can complicate and transform how philosophical source material is heard or understood, and the reasons that the practice has become an increasingly common preoccupation for composers.

Conecta tu I+D

Entra hoy

¿Olvidé mi contraseña?

Financiación

Empresas

CTIs/Universidades

Proyectos

Investigadores