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CaPer

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Catholic Performance Culture in Early Modern England

CaPer is an ambitious interdisciplinary project exploring how forms of play and recreation helped shape and sustain the Catholic minority in Protestant England. In faith-divided early modern Europe, the English state persecuted Ca... ver más

31/08/2024

UNIVERSITY COLLEGE...

235K€

Presupuesto del proyecto: 235K€

Líder del proyecto

UNIVERSITY COLLEGE LONDON No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Fecha límite participación Sin fecha límite de participación.

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Financiación concedida El organismo H2020 notifico la concesión del proyecto el día 2024-08-31

MSCA-IF-2020: Individual Fellowships

I+D

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3 Participantes

UNIVERSITY COLLEGE LONDON

235.49K€ | Lider

THE GOVERNING COUNCIL OF THE...

UNIVERSITY OF TORONTO

123.02K€ | Participante

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Duración del proyecto: 41 meses Fecha Inicio: 2021-03-22
Fecha Fin: 2024-08-31

Líder del proyecto

UNIVERSITY COLLEGE LONDON No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Presupuesto del proyecto 235K€

Fecha límite de participación Sin fecha límite de participación.

Descripción del proyecto CaPer is an ambitious interdisciplinary project exploring how forms of play and recreation helped shape and sustain the Catholic minority in Protestant England. In faith-divided early modern Europe, the English state persecuted Catholics for their religious allegiance, excluding them from political life. How did the marginalized Catholic minority, navigating between opposition and loyalty to their Protestant monarchs, survive in such a hostile environment? Exploring issues of religious intolerance, inequality, and social exclusion, CaPer adresses one of the main challenges for the future of Europe. Studying the English Catholic community from an innovative perspective, it examines sources and practices which historians have hitherto rarely considered. It breaks new ground by comprehensively investigating how Catholics built communal bonds and negotiated their place in English society through theatre, dance, music, sports, and ceremonies throughout the period of the most vigorous religious persecution, from the accession of Elizabeth I in 1558 to the restoration of the monarchy in 1660. Tapping into underexplored archives in order to collect and analyse a vast quantity of neglected records of performance, and paying attention to both microcosms within provincial Britain and international networks of global Catholicism, CaPer will: a) produce a new cultural history of the English Catholic community, demonstrating how performance played a crucial role in education, sociability, missionary activity, private devotion, and in maintaining Catholic social standing; b) introduce to historiography previously neglected practices and actors, including women players, dancing masters, music teachers, and itinerant entertainers; c) expand our knowledge of practical religious coexistence in the early modern period, providing a blueprint for future studies of play and leisure among religious minorities, and inform contemporary European policies aimed at reducing social exclusion.

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