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Black Women Black Nationalism Feminist Discourses on Nation building in Americ...

Black Women Black Nationalism Feminist Discourses on Nation building in American and British Literature and Visual Arts My research aims to make a significant contribution to the scholarship on contemporary Black women artists in the US & the UK. It will pose a polemical formulation of Black feminist literature and visual arts of the 1980s and 90s... ver más

31/07/2018

UCLAN

195K€

Presupuesto del proyecto: 195K€

Líder del proyecto

UNIVERSITY OF CENTRAL LANCASHIRE No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Fecha límite participación Sin fecha límite de participación.

Financiación concedida El organismo H2020 notifico la concesión del proyecto el día 2018-07-31

MSCA-IF-2015-EF: Marie Skłodowska-Curie Individual F...

I+D

Cerrada hace 9 años

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Información adicional privada

No hay información privada compartida para este proyecto. Habla con el coordinador.

1 Participantes

UCLAN

195.45K€ | Lider

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Duración del proyecto: 28 meses Fecha Inicio: 2016-03-31
Fecha Fin: 2018-07-31

Líder del proyecto

UNIVERSITY OF CENTRAL LANCASHIRE No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Presupuesto del proyecto 195K€

Fecha límite de participación Sin fecha límite de participación.

Descripción del proyecto My research aims to make a significant contribution to the scholarship on contemporary Black women artists in the US & the UK. It will pose a polemical formulation of Black feminist literature and visual arts of the 1980s and 90s in light of postcolonial scholarship. These two decades saw a flowering of talent of Black British and American women: in the US they are described as Black Women’s Renaissance and in the UK as Black Arts Movement. Both movements came to fruition in the aftermath of civil rights and feminist struggles of black people in the US and UK. This project will investigate how the work of African American and Black British female artists reflected interaction and intersection of cultural nationalism and black feminism. It will demonstrate that feminist narratives and artworks of that period, usually not associated with black cultural nationalism, played a pivotal role in the continuation of indigenous cultural politics of Black cultural nationalism, which came to being in the 1960s and 70s in the US. During that period African American art strove to validate black culture as a culture possessing its own ideas and forms of aesthetic expression. The cause of BCN was propelled through the veneration of Black values, sensibilities, symbols, and rituals, which, as this project will argue, became also central to the identity politics of the artists of Black Women Renaissance and Black Arts Movement in the decades that followed. My project will demonstrate that this strategy of validating black culture, which was so empowering in the 1960s and 70s, ultimately turned to be counter-productive for the goals of black feminism, as it created a limited number of positions from which black women’s subjectivity could be articulated. UCLan with its world-class researchers in transatlantic studies (i.e. Prof. Rice) and Black Arts and black feminism (i.e. Prof. Lubaina Himid, a founder of Black Arts Movement) provides an ideal host institution.

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