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Integrating Turkish

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Beyond East and West Developing and Documenting an Evolving Transcultural Musi...

Beyond East and West Developing and Documenting an Evolving Transcultural Musical Practice For composers in Turkey today, the urge to integrate the beauties of Turkey’s rich musical heritage into contemporary concert music has become almost an imperative. But differences in tuning, texture, and between oral and notated... ver más

31/07/2023

UNIVERSITY OF BRIS...

2M€

Presupuesto del proyecto: 2M€

Líder del proyecto

UNIVERSITY OF BRISTOL No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Fecha límite participación Sin fecha límite de participación.

Ver 4 Participantes

Financiación concedida El organismo H2020 notifico la concesión del proyecto el día 2023-07-31

ERC-CoG-2014: ERC Consolidator Grant Scope:Objectives

I+D

Cerrada hace 11 años

0% 100% 100%

Características del participante

Este proyecto no cuenta con búsquedas de partenariado abiertas en este momento.

Información adicional privada

No hay información privada compartida para este proyecto. Habla con el coordinador.

4 Participantes

UNIVERSITY OF BRISTOL

1.83M€ | Lider

GOMA CAMPS

438.90K€ | Participante

ITU

6.12K€ | Participante

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Duración del proyecto: 98 meses Fecha Inicio: 2015-05-27
Fecha Fin: 2023-07-31

Líder del proyecto

UNIVERSITY OF BRISTOL No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Presupuesto del proyecto 2M€

Fecha límite de participación Sin fecha límite de participación.

Descripción del proyecto For composers in Turkey today, the urge to integrate the beauties of Turkey’s rich musical heritage into contemporary concert music has become almost an imperative. But differences in tuning, texture, and between oral and notated orientations to performance have presented seemingly intractable obstacles. This project systematises practical processes essential for the creation of a new, East-West strand of contemporary music and opera. It initiates cutting-edge research workshops in Istanbul, Holland and the UK to: 1. Train top-level traditional instrumentalists and singers in Turkey effectively to perform a new repertoire; 2. Train top professional Western singers in non-Western techniques and nuances of vocal production; 3. Develop approaches for modelling such music's impacts on Turkish and Western musicians’ adaptive processes in rehearsal and performance, and diverse audiences’ perceptions of such music; 4. Create an ensemble interface (including newly designed instruments) to increase capacity for merging sounds beyond levels now achievable; 5. Produce groundbreaking studies on timbre to provide new insights into how sound is produced; 6. Establish a new template for mapping Eastern and Western tuning systems onto one another. This research, together with an orchestration manual for Turkish sounds will comprise the core of a published (CUP) team-authored e-book, Integrating Turkish Instruments and Voices into Contemporary Music (ITI), with included audio and visual examples linked as an online resource. Looking further, this project’s multi-modal, transdisciplinary approach also suggests a model for probing how the ‘free play’ of the imagination (Kant) possible within processes of art and its creation can provide metaphors towards understanding one of the most urgent and compelling issues of our time: how to transcend cultural barriers (real or imagined) that exist today.

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