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Exile and Technology

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Austro German exile in America 1930 45 interrogating the relationship between s...

Austro German exile in America 1930 45 interrogating the relationship between science technology and modern selfhood in cultural and musical discourses. This project examines the relationship between technology, selfhood, and modernity in the context of the music and thought of Austrian and German émigré musicians and cultural theorists in America from 1930 to 1945. The project lo... ver más

31/12/2019

RHUL

252K€

Presupuesto del proyecto: 252K€

Líder del proyecto

ROYAL HOLLOWAY AND BEDFORD NEW COLLEGE No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Fecha límite participación Sin fecha límite de participación.

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Financiación concedida El organismo H2020 notifico la concesión del proyecto el día 2019-12-31

MSCA-IF-2015-GF: Marie Skłodowska-Curie Individual F...

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Cerrada hace 9 años

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No hay información privada compartida para este proyecto. Habla con el coordinador.

3 Participantes

RHUL

251.86K€ | Lider

PRESIDENT AND FELLOWS OF HAR...

OFFICE FOR SPONSORED PROGRAM...

160.13K€ | Participante

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Duración del proyecto: 46 meses Fecha Inicio: 2016-02-25
Fecha Fin: 2019-12-31

Líder del proyecto

ROYAL HOLLOWAY AND BEDFORD NEW COLLEGE No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Presupuesto del proyecto 252K€

Fecha límite de participación Sin fecha límite de participación.

Descripción del proyecto This project examines the relationship between technology, selfhood, and modernity in the context of the music and thought of Austrian and German émigré musicians and cultural theorists in America from 1930 to 1945. The project looks beyond the boundaries of the nation state and the nexus of composer and musical work that tend to structure musicological enquiry. Instead, transnational historical methodologies will be used alongside primary archival research to join a timely conversation in musicology about the intersections between histories of music and science. In the era 1930-45, (Austro-)Germany and America were scientific powerhouses. Against the backdrop of mounting political turmoil, both generated ethically controversial scientific and technological research simultaneously liberating and malevolent: atomic technology, cosmology, radar, eugenics, transportation innovations. Technology necessarily shapes ideas of selfhood, and the mass displacement of Austrian and German intellectuals to the US after the rise of the National Socialists created a ‘culture of exile’ in which, as émigrés integrated within the new context, diverse attitudes to the relationship between science, technology, and formulations of the self began to interweave. Using musical collaborations, spectacles, and events to illuminate and explore the range and ambivalence of those attitudes, the project will furnish a more finely grained historical understanding of the disconnections between Germanic and American relationships to technology and selfhood in the period. The research outcomes during the fellowship will be a monograph, and two articles as part of substantial work on a second book. A further key objective will be to establish an international interdisciplinary academic network in the US, UK, and Germany for collaborative projects and conferences exploring technological and cultural/musical discourse, exile, and international mobility in the first half of the twentieth century.

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