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MUSMAP

Financiado

Cerrado

AUDITORY MOTOR PATTERNING OF MUSIC PERFORMANCE VIA MULTI MODAL ANALYSIS OF PLAYI...

AUDITORY MOTOR PATTERNING OF MUSIC PERFORMANCE VIA MULTI MODAL ANALYSIS OF PLAYING TECHNIQUE "MUSMAP develops research on the topic of auditory-motor interaction, using music performance as a case study. The project will address methodological and technological challenges in the development of multi-modal data acquisition... ver más

31/03/2017

UPF

221K€

Presupuesto del proyecto: 221K€

Líder del proyecto

UNIVERSITAT POMPEU FABRA No se ha especificado una descripción o un objeto social para esta compañía.

Total investigadores 322

Fecha límite participación Sin fecha límite de participación.

Financiación concedida El organismo FP7 notifico la concesión del proyecto el día 2017-03-31 No tenemos la información de la convocatoria

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Información adicional privada

No hay información privada compartida para este proyecto. Habla con el coordinador.

1 Participantes

UPF

0.00€ | Lider

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Líder del proyecto

UNIVERSITAT POMPEU FABRA No se ha especificado una descripción o un objeto social para esta compañía.

Total investigadores 322

Presupuesto del proyecto 221K€

Fecha límite de participación Sin fecha límite de participación.

Descripción del proyecto "MUSMAP develops research on the topic of auditory-motor interaction, using music performance as a case study. The project will address methodological and technological challenges in the development of multi-modal data acquisition and analysis methods for the construction of auditory-motor patterning schemes, with the aim of modelling instrumental playing technique from a computational perspective. Violin performance, which involves time-continuous feedback adaptations through tightly-coupled action-perception interaction, represents a rich and underexplored case study. The research to be pursued in MUSMAP is divided into three main parts: (1) To utilize multi-modal data acquisition and analysis methods to develop and validate auditory-motor pattern representation models by creating and systematically studying an extensive set of violin performance multi-modal recordings of trained musicians. (2) To apply auditory-motor pattern representations to design a system for automatic control of violin sound synthesis presenting a closed-loop, feed-forward architecture by which a motor sequencing component is updated in response to perceptual features of synthesized sound. Beyond its interest as a promising technology for upcoming computer-aided music production frameworks, the system represents an ideal test bed for validating the auditory-motor representation models developed as part of objective (1). (3) To apply auditory-motor pattern representations to develop novel, high-quality sound processing technologies through which meaningful audio perceptual attribute manipulations are driven by motor primitives, enabling auditory-motor remapping of recorded or real-time violin performances. In collaboration with top-class institutions specialized in cognitive neuroscience aspects of sensory-motor interaction, developed technologies will be used to propose and execute novel experiments involving the manipulation of a musician’s auditory experience when performing and listening."

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