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AFRISCREENWORLDS

Financiado

African Screen Worlds Decolonising Film and Screen Studies

A half century since it came into existence, the discipline of Film and Screen Studies remains mostly Eurocentric in its historical, theoretical and critical frameworks. Although world cinema and transnational cinema scholars have... ver más

31/05/2025

SOAS

2M€

Presupuesto del proyecto: 2M€

Líder del proyecto

SCHOOL OF ORIENTAL AND AFRICAN STUDIES ROYAL... No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Ver 3 Participantes

Financiación concedida El organismo H2020 notifico la concesión del proyecto el día 2019-02-25

ERC-2018-COG: ERC Consolidator Grant

I+D

Cerrada hace 6 años

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Información adicional privada

No hay información privada compartida para este proyecto. Habla con el coordinador.

3 Participantes

SOAS

1.83M€ | Lider

Fte Maximal - BCN DISTRIBUCI...

335.04K€ | Participante

USFD

157.05K€ | Participante

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Duración del proyecto: 75 meses Fecha Inicio: 2019-02-25
Fecha Fin: 2025-05-31

Líder del proyecto

SCHOOL OF ORIENTAL AND AFRICAN STUDIES ROYAL... No se ha especificado una descripción o un objeto social para esta compañía.

TRL 4-5

Presupuesto del proyecto 2M€

Descripción del proyecto A half century since it came into existence, the discipline of Film and Screen Studies remains mostly Eurocentric in its historical, theoretical and critical frameworks. Although world cinema and transnational cinema scholars have attempted to broaden its canon and frameworks, several major problems persist. Films and scholarship by Africans in particular, and by people of colour in general, are frequently marginalised if not altogether excluded. This prevents exciting exchanges that could help to re-envision Film and Screen Studies for the twenty-first century, in an era in which greater access to the technological means of making films, and circulating them on a range of screens, means that dynamic screen worlds are developing at a rapid rate. AFRISCREENWORLDS will study these screen worlds (in both their textual forms and industrial structures), with a focus on Africa, as a way of centring the most marginalised regional cinema. We will also elaborate comparative studies of global screen worlds – and, in particular, screen worlds in the Global South – exploring their similarities, differences, and parallel developments. We will respond to the exclusions of Film and Screen Studies not only in scholarly ways – through conferences and publications – but also in creative and activist ways – through drawing on cutting-edge creative research methodologies (such as audiovisual criticism and filmmaking) and through helping to decolonise Film and Screen Studies (through the production of ‘toolkits’ on how to make curricula, syllabi, and teaching more globally representative and inclusive). On a theoretical level, we will make an intervention through considering how the concept of screen worlds is better equipped than world cinema or transnational cinema to explore the complexities of audiovisual narratives, and their production and circulation in our contemporary moment, in diverse contexts throughout the globe.

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